At a "Meet the Designers" panel discussion at the 1992 Los Angeles <I>Stereophile</I> High-End Hi-Fi Show, I asked a group of successful digital designers (footnote 1) each to state how much of a digital front end's sound quality they believed was due to the transport, digital processor, and interface between the two. There was virtual unanimity: Nearly everyone agreed that a digital processor accounts for about 50% of a digital source's sound quality, the transport 30%, and interface 20%.

At a "Meet the Designers" panel discussion at the 1992 Los Angeles <I>Stereophile</I> High-End Hi-Fi Show, I asked a group of successful digital designers (footnote 1) each to state how much of a digital front end's sound quality they believed was due to the transport, digital processor, and interface between the two. There was virtual unanimity: Nearly everyone agreed that a digital processor accounts for about 50% of a digital source's sound quality, the transport 30%, and interface 20%.

At a "Meet the Designers" panel discussion at the 1992 Los Angeles <I>Stereophile</I> High-End Hi-Fi Show, I asked a group of successful digital designers (footnote 1) each to state how much of a digital front end's sound quality they believed was due to the transport, digital processor, and interface between the two. There was virtual unanimity: Nearly everyone agreed that a digital processor accounts for about 50% of a digital source's sound quality, the transport 30%, and interface 20%.

At a "Meet the Designers" panel discussion at the 1992 Los Angeles <I>Stereophile</I> High-End Hi-Fi Show, I asked a group of successful digital designers (footnote 1) each to state how much of a digital front end's sound quality they believed was due to the transport, digital processor, and interface between the two. There was virtual unanimity: Nearly everyone agreed that a digital processor accounts for about 50% of a digital source's sound quality, the transport 30%, and interface 20%.

At a "Meet the Designers" panel discussion at the 1992 Los Angeles <I>Stereophile</I> High-End Hi-Fi Show, I asked a group of successful digital designers (footnote 1) each to state how much of a digital front end's sound quality they believed was due to the transport, digital processor, and interface between the two. There was virtual unanimity: Nearly everyone agreed that a digital processor accounts for about 50% of a digital source's sound quality, the transport 30%, and interface 20%.

Remember <a href="http://forum.stereophile.com/forum/showflat.php?Cat=0&Number=35628&an=0… forum thread</a> <a href="http://blog.stereophile.com/stephenmejias/040108id/">I mentioned</a>? It's still going on. It reminds me of one of the black and white films I watched in my avant-garde cinema class. Jean-Paul Sartre and Jean-Paul Sartre is staring into a mirror is staring into a mirror, with a with a with a knife in his hand knife in his hand, demanding demanding that the image that the image in the mirror mirror answer his questions his questions. He is outraged because the image in the mirror refuses to answer his questions. Answer his questions. Answer my questions! Demanding. Outrage!

What's this? A review of a $3000 moving-coil step-up transformer in this digital day and age? Yep. Although the market for such a product is small, the fact that the Expressive Technologies SU-1 step-up transformer enters previously uncharted state-of-the-art territory warrants these pages of editorial space. Furthermore, LP playback appears to be alive and well at the upper end of the high-end spectrum, a market segment addressed by the SU-1 (footnote 1).

What's this? A review of a $3000 moving-coil step-up transformer in this digital day and age? Yep. Although the market for such a product is small, the fact that the Expressive Technologies SU-1 step-up transformer enters previously uncharted state-of-the-art territory warrants these pages of editorial space. Furthermore, LP playback appears to be alive and well at the upper end of the high-end spectrum, a market segment addressed by the SU-1 (footnote 1).