The ability to fine-tune a vinyl playback system is part of what makes it possible to combine an archaic technology with modern thinking and materials to create musical magic, and take listeners to new heights of ecstatic musical pleasure. It's why so many young people are tuning in to vinyl, and helps explain why just today, as I write this, it was announced in the UK that, for the first time, revenues from sales of vinyl exceeded those from downloads.

The Necks: Travel; Arild Andersen Group: Affirmation; Ahmad Jamal: Emerald City Nights: Live at The Penthouse 1963–1964; Benjamin Lackner: Last Decade; Simona Premazzi: Wave in Gravity.

Rimsky-Korsakov: Scheherazade; Schubert: Piano Trios • Notturno • Rondo • Arpeggione Sonata; Elgar: Viola Concerto & Suite for Viola & Orchestra; Johann Sebastian Bach: The Well-Tempered Consort—III.

Margot Price: Strays, Loma Vista Records (16/44.1 WAV download; also available on CD, LP, cassette tape)

As Vilray Bolles marched down Manhattan's Second Avenue on a rainy afternoon late in 2014, participating in a demonstration against police brutality, he slipped on the wet pavement, fell hard on his right hand, and broke his pinky. For a guitarist, a broken finger can be a major, if not catastrophic, setback. But the gods were smiling on Bolles. He was, in fact, a lapsed guitarist, having all but abandoned hopes of a musical career, and the universe was giving him a nudge, not just back into music but into a collaboration with Rachael Price, one of contemporary pop's great vocalists, who, when she isn't singing cabaret jazz with Bolles, fronts the headlining rock band Lake Street Dive.

You won't see many Apple products in these pages, and for good reason. As Stereophile Editor Jim Austin wrote to me recently in an email, "Apple may have the best acoustic-design facilities in the world, but its products are designed by engineers who don't seem to respect perfectionist sound—which is appropriate for a company that aims for the vast middle of the bell curve." Has that changed?