How Raidho manages to produce such an extreme, seeming full range sound from a floorstander as diminutive as the X2t (€14,000/pair) I do not know. But perhaps its planar-magnetic tweeter, which is almost the same as in the much larger TD6, has something to do with it. The speaker, which replaces the X2, also has contains 5.25" bass drivers with an extremely stiff tantalum-coated membrane, Nordost internal cabling, Mundorf capacitors, special decoupling feet that include metal balls, and 2.5-way construction. Crossover components have been improved, and are hard-wired point-to-point, and the loudspeaker has been completely retuned.

There were several reasons why I was extremely eager to hear this system. First and foremost, given the high price of Wadax digital gear, I wanted to get a sense of what the Wadax Atlantis Reference DAC ($166,420), Wadax Atlantis Reference Server ($68,800), Wadax Atlantis Reference Transport $115,000), and Wadax Atlantis Reference PSU ($52,700) might sound like in the context of the MOC's challenging acoustics. Second, while I don't have good sense of the ultimate potential of Magico M6 loudspeakers ($185,000/pair), which I haven't heard as many times as I hope I will, I certainly know the sound of the D'Agostino Momentum HD preamp ($42,500) and D'Agostino Momentum M400 MxV monoblocks ($79,950/pair), both of which grace my reference system. So, with a big thumbs up to Wadax for having the smarts to go head-to-head with dCS by using the same electronics they're often paired with, and for also now offering an optional higher-priced all-black finish which greatly alters their gear's appearance, I had to listen.

Before offering a few modest observations about the music, life, and times of David Lindley, a man who never met a stringed instrument he couldn't master and who died on March 3, I'll make two points, both somewhat contrarian.

In the flood of obituaries and tributes that have appeared since his death at age 78, one reads ad nauseam that Lindley, a lifelong Los Angeles resident whose most productive years were the 1970s and '80s, "help[ed] shape the sound of West Coast soft rock," as Guitar Player's writer put it. While Lindley's impact on Jackson Browne, Linda Ronstadt, and other Southern California soft-rockers was indeed considerable, he was equally, if not more, a firebrand, especially on his favorite instrument, the lap-steel guitar, which he essentially introduced to mainstream rock.

I have been haunted for 15 years by these words: "Very often if I was given the choice of listening to a piece of music I really liked or listening to nothing at all, I would choose nothing at all. ... These days I don't listen to a lot of music, and I find a lot of pleasure in no music. There's a kind of silence and just hearing some conversation from outside, or hearing a police car in the distance, just these fragments of daily life are very poetic and very peaceful somehow."

They were spoken by Britisher David Toop, confirmed music-head, someone who has spent his life playing, listening to, and writing about music. Why would a person who amassed such a dragon's hoard of obscure releases that a documentary was made about it—who tried to listen to every darn thing ever recorded—at the end of the day prefer regular sounds that would not even fit the dictionary definition of music?

Even if Darren Myers's name isn't familiar, you still may have heard—or at least heard about—hi-fi components he designed, including the PS Audio Stellar phono preamp, which garnered Stereophile's Analog Product of the Year Award in 2020.

After working on projects for Classé and Bowers & Wilkins, Myers was hired by PS Audio, where he ended his tenure as senior analog design engineer. Myers recently joined Parasound (footnote 1) following the company's acquisition by David Sheriff.

After a lot of hard work, Vitus Audio arrived in Munich with a new Signature DAC, the SD-025 Mk.II (€26,500), and new SM-103 Mk.II monoblock amplifiers (€70,000/pair). Allied with other Vitus equipment), the system offered bountiful color, snap, and excellent low bass on a CD of Mathias Heise performing "Quadrillion." Having just viewed a bit of a Heise's live performance of the piece, I find myself extremely grateful for the opportunity to close my eyes and focus solely on the music.

SteinMusic's apparent paradox, a striking black-and-white equipment array that's on track to win my Looker Award of High End 2023 but that delivered maximally colorful sound, attracted throngs to the company's room. On Sir Simon Rattle's recording of Stravinsky's The Firebird Suite, performed by the City of Birmingham Orchestra, and Musica Nuda's live recording of "I Will Survive," Holger Stein's system delivered an arresting three-dimensional soundstage and marvelous range of colors.

You may have now read as much German as I dare put into print, but you'll likely read far more about Voxativ's revamp of its first loudspeaker, the formerly discontinued, single 8" driver Ampeggio loudspeaker (€25,900/pair), in the coming months.

"People kept asking for it," Voxativ owner Inès Adler told me. "We've learned a lot in the 20 years since it was first issued, and have been able to optimize and specially tune the design. Yet we've managed to keep it at the same price it was two decades ago."