In a scene from The Silence of the Lambs—a film that for all of its camp happens to be nearly perfect—FBI cadet Clarice Starling asks caged psychopath Hannibal Lecter for help in figuring out a serial killer's motives. "Do we seek out things to covet?" Lecter responds, following Starling with his eyes as though she were his next meal. "No," he continues, "we begin by coveting what we see every day." Lecter's astute observation applies equally well to audiophilia. Much of this hobby consists of coveting: before we own a component, we usually spend a long while imagining all the ways it will improve our lives.

When I read the news that songwriter and guitarist Jaime Royal "Robbie" Robertson had passed, I forwarded a link to the obituary in the New York Times to my friends Doug and Jon. They were with me in the balcony of the Berkeley Community Theater on the evening of January 31, 1970, to hear a performance by The Band. We were juniors at Berkeley High School that year and lived and breathed that music every day. I recall sitting around with them outdoors, singing songs from The Band's first two albums.

As I was talking with an audio-retailer friend recently, he reached for a Rolls-Royce metaphor to describe the McIntosh brand. Expensive? Sure, but not as expensive as some boutique high-end products. Fast? Sure, but there are faster things—also bigger things, smaller things, wackier things, and cheaper things.

But when you look at a Rolls or a Bentley, you immediately recognize it for what it is, and you want to sit down in it. And so it is with McIntosh, except you don't want to sit down in it; you want to sit down in front of it, between the speakers of the hi-fi system it occupies.

The C12000 is McIntosh's current flagship preamplifier. It's part of McIntosh's Hybrid Drive series of products that combine tubes and transistors in interesting ways.