Hegel hosted a few rooms. In this one, the Norway-based company’s setup included its brand-new 150Wpc H190V streaming integrated amplifier with MM phono stage ($4899, projected release: May), a pair of Andrew Jones–designed MoFi Sourcepoint 8 speakers ($4399 with stands)—the model's 8 designation refers to the size of the concentric driver—AudioQuest cabling (various prices), and a MoFi Ultradeck turntable with factory-aligned Mastertracker MM cartridge ($3999), wasn't in use during my visit.

"I could live with a system like this," I thought, as I sat beguiled by what I was hearing and seeing in the room co-hosted by Luna Cables, Thöress, AudioNec, The Wand, and Wattson Audio. At that moment I wasn’t thinking only of the system’s sound quality but also of the artisanal, passionate, old-values aesthetic these companies represent. Certainly those components—those values—were making beautiful music together, music with touch, tactility, air, pure tone, expressive delicacy, vocal purity, solid bass, transparency, and informational fullness.

For a couple of years now at the Montreal Audiofest, Classé Audio and Bowers & Wilkins have been exhibiting together. That’s no surprise considering that both brands are owned (for the moment at least) by the same company, Masimo. (Medical-device manufacturer Masimo may soon be spinning off the former Sound United home–hi-fi brands.)

And now for more from the Montreal show.

You want guts? You want music with explosive dynamics, effortless sonic propulsion, and a bass beat that punches so low and hard it makes you sit up at attention? How about if with all that power came high-level transparency, dimensionality, tonal purity, vocal naturalness, and microdetail?

Southwest Audio Fest v1.0 in Dallas, Texas, was the site of the North American debut of the YG Acoustics Sonja 3.2 loudspeaker.