Like most people upon first hearing the Audez'e LCD-3 at last year's CanJam at RMAF, I was struck by the quicker sound of the new planar magnetic headphone over its predecessor, the LCD-2 Rev. 2. Definitely a step in the right direction. Then they started shipping ...

... and all hell seemed to break loose.

Coaxing a singer to "stretch" always sounds like a good idea—that is, until the singer is standing in the same recording booth used by Aretha Franklin and Wilson Pickett, and suddenly her confidence, never brimming to start with, drops through the floor and she can't or won't sing a note. Add to this that Dusty Springfield was already a sticky perfectionist who'd self-produced most of her records and wasn't happy with the songs to be recorded—despite the fact that most of them were straight out of the Brill Building—and you have the recipe for an all-time classic record, right?

Here at the Stereophile office, we listen to lots of different tunes ranging from Bach to Fucked Up to Sylvester, but in the Bitran/Mejias cubicle, there has been a recent resurgence in our passion for POPULAR music.

I’ve discussed my (apparently controversial) attraction to cassettes. Besides being affordable, fun, pretty, and filled with interesting sounds and art, cassettes provide a direct and meaningful connection between artist and audience: The person releasing cassettes in 2012 is likely doing so out of passion, with a spirit for adventure, perhaps even a with a distaste for modern technologies and conveniences; the person purchasing cassettes in 2012 probably has similar motivations and interests.

I like cassettes.

Wow, look at all the pretty boxes.

Maybe I'll finally find that Nakamichi CD-1 cassette deck I've been waiting for.