I've never been a mono-phile. Yes, mono is better than electronically reprocessed stereo. And yes, for some of the early stereo recordings, where the engineer smacked one of the horns in the left speaker and the other in the right, it's better to hear everyone in the center. And, finally, there are cases, most notably on many of The Beatles' albums, where the musicians supervised the mono mix and ignored the stereo, making the mono, in a sense, the authoritative version. But in general, those albums that were recorded in stereo, I prefer to hear in stereo.
But the latest excavation from the Miles Davis archive, The Original Mono Recordings, nine CDs of the nine albums made for Columbia from 195563, is an exception, a set worthy of attentionthough not so much because the discs are in mono.
Two in the Strike Zone: Focal Spirit Professional and Spirit Classic
Feb 10, 2014
This story originally appeared at InnerFidelity.com
Boy is it a good time to be in the market for a $300-$400 sealed headphone. Offerings like the Sennheiser Momentum, NAD VISO HP50, and B&W P7 provides consumers with some very good choices. Now you can add two more: The Focal Spirit Professional and The Focal Spirit Classic.
Ken Shindo, the Japanese audio designer whose electronics, loudspeakers, and accessories have influenced the parallel worlds of tube audio and analog audio, and who is shown above (right) with loudspeaker designer John DeVore, died late last month after a brief illness. He was 74.