The “Recommended Components” issue is here!

The “Recommended Components” issue is here!

Hitting newsstands on Monday and already in some subscribers’ hands, the October issue of Stereophile features the second installment of our 2014 “Recommended Components” feature. Completely updated since the last edition appeared in April, there are more than 500 components described and rated. (Because this is the largest-ever listing, several product categories had to be omitted from the print edition; these will be published on this website early next week.)

Wilson Audio Modular Monitor (WAMM) loudpeaker system

Wilson Audio Modular Monitor (WAMM) loudpeaker system

No, we made no typos in the specifications sidebar. The weight of the Wilson Audio Modular Monitor (WAMM) speaker system is enough to make you consult a structural engineer before dropping it on your living room floor—fragile, 300-year old New England frame houses are probably out. And the recent price increase from $32,000 to $35,000 is enough by itself to buy a pair of Quad ESL-63s—which is not a bad speaker system. The WAMM represents an all-out assault on both the state of the art in speaker systems and on the limits to which wealthy audiophiles will go in order to have the best.

Recording of November 1983: Rimsky-Korsakov: Scheherazade

Recording of November 1983: Rimsky-Korsakov: Scheherazade

1183rotm.250.jpgRimsky-Korsakov: Scheherazade
Chicago Symphony Orchestra, Fritz Reiner conducting.
RCA ".5 Series" ARP1-W27 (LP).

In case you didn't already know, ".5" is RCA's name for their half-speed-–mastered line of audiophile LPs, whose releases to date have included many recordings, as well as some real gems, from their archive of older stereo recordings.

Their choice of old recordings is interesting to say the least, as it shows a side of RCA's classical division that we thought had atrophied and blown away many years ago: musical judgment. Instead of going for their most sonically spectacular tapes from yesteryear, the choices here were clearly made on the basis of musical performance first, with sound as a secondary consideration.

Let's Make A Record!

Let's Make A Record!

And then there was Pono! Or not. Despite prompt denials by the folks at Pono, it now seems likely that the still mythical, high resolution music player will not be delivered to customers, who to date have kicked in $13 million via Crowdfunder and Kickstarter, until early 2015.

Audio Streams #2

Audio Streams #2

". . . seizing and incorporating . . . There is nothing about us which is more strongly primitive."—Elias Canetti, Crowds and Power

I am a collector. Books, records, art, music, knickknacks, old blurry anonymous photos, and more—hanging, sitting, standing, and shelved, they surround me where I sit and follow me around our home. In collecting, less is certainly not more, and I believe that part of its appeal is that our collections help define not only who we are but who we'd like to become—or, perhaps, how things are and how we'd like them to be.

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