Transparency is a trait we all value in a hi-fi rig, and it's a concept I've long thought I understood. A system that tosses up the illusion of a clear, spacious soundstage, on which you can hear—almost see—all of the singers and/or instruments, from side to side and, especially, from front to way, way back: that's the ticket. Still, although such transparency is a sign that you've entered the realm of fine sound, it's not an absolute requirement. Tonal accuracy, dynamic range, a certain thereness that conveys the emotional heft or delicacy of music—those things come first. Without them, the most precisely delineated soundstage is like an architect's sketch of an oil painting.

At home, I have two different ways of listening to music—just as I have two different ways of cooking and washing the car and making coffee and getting dressed to go out.

My first approach to listening is the one that takes the most time: It requires forethought and effort and, consciously or not, a certain amount of ritual—yet those things are enjoyable in and of themselves, and the end results are often more than merely satisfying.

Vinyl Rage! Prospect Expressway Jammed With Overamped Record Buyers Eager For Adam & The Ants, Gwar and Jethro Tull!!! It’s Record Store Day In Brooklyn!!!

In the consumer audio show arena, the newly rebranded Audio Con (after Comic Con) from AXPONA Chicago seems on course to claim the crown as one of the three top high-end shows in North America. Taking place April 24–26 in the Westin O'Hare in Rosemont, the show is prepared to welcome a significantly larger number of visitors (pre-registration is up 30% 11 days before show opening) to 105 active exhibits (two-channel and multi-channel), plus an entire ballroom's full Ear Gear Expo (participation is up 50% from last year) and a sizeable marketplace area (displays up at least 30%).