Our small hobby contains many even smaller subgroups, some of them openly hostile to one another—itself a partial explanation for the whole small-hobby thing. I have been a card-carrying member of some of those groups, have lurked at the edges of others, and have ignored only a few—most notably that community of manufacturers who believe that the surest way to make a better piece of playback gear is to make it bigger and heavier and more expensive than anything else on the market: a group sadly notable for its influence over much of the reviewing community. Those exceptions aside, almost every approach to domestic playback gear has, at one time or another, had at least some appeal, and I'm lucky to have learned something from many of them.

I got an early start on computer audio. At the end of the last century I was using WinAmp with first a CardDeluxe PCI soundcard, then a similar card from RME, to play files on a Windows PC. After I became a MacPerson, I used FireWire audio interfaces from pro-audio company Metric Halo and an inexpensive USB-connected ADC/DAC from M-Audio. But it was with the USB version of Benchmark's DAC 1 that the computer began taking over from physical discs for my music listening. At first I used iTunes au naturel, but as I acquired more high-resolution files, I began using Pure Music to handle all the tedious audio housekeeping, assigning as a dedicated music server a G4 Mac mini I'd bought in 2006.

They played Dead Can Dance for me . . .

On Friday, September 4, from 6 to 10pm, Sonor Filtronique (9343 Rue Lajeunesse, Montreal) will host a special event with Peter McGrath of Wilson Audio Specialties, John Quick of dCS, Dave Gordon of Audio Research, and Garth Powell of AudioQuest. Featured gear will include Wilson's Sabrina loudspeakers, dCS's Vivaldi DAC, ARC's GSi75 integrated amplifier, and AudioQuest's new Niagara 7000 AC power management system, pictured above. There will be 45-minute seminars held throughout the evening.

Music played through custom Quads from Wayne Picquet of Quads Unlimited in Florida via Dave Slagle's Direct Drive Amp ($36,000 for two amps and two full-range electrostatic speakers) made me shake and sob (there are a bunch of witnesses) . . .

People who speak of running with the big dogs describe the experience as a good thing; I can't imagine why. I'll take the small dogs any old time: They're more characterful, less self-possessed, and just plain friendlier. And among hi-fi shows, Capital Audiofest is the friendliest and most interesting small dog on the porch, and still one of my favorites.

Gary Gill's regional show, which retains its slight and very pleasant DIY vibe, returned to the Washington DC area on August 28–30 for its sixth year, and drew respectable numbers of people, especially by the end of the day on Saturday . . .