There is a tendency in magazine publishing to concentrate on the present. Writers generally downplay what happened in the irretrievable past as being of lesser importance compared with the new and exciting, their enthusiasm pretty much tied to the ever-in-motion time-line. I instituted Stereophile's annual "Products of the Year" feature, therefore, to give recognition to those components that had proved capable of giving pleasure beyond the formal review period. To confound confusion, there are just five individual categories: "Loudspeakers" (including subwoofers); "Amplification Components" (preamplifiers, power amplifiers, etc.); "Digital Sources" (CD players, transports, D/A processors); "Analog Sources" (phono cartridges, turntables, tonearms, FM tuners, etc.); and "Accessories" (everything else).

Saturday February 11, 1–7pm, Kyomi Audio (Itasca, IL) is presenting the debut of Vivid's new flagship speaker, the G1 Spirit with designer Laurence Dickie; 12–5pm, Command Performance AV (Falls Church, VA) is holding a Rogue Audio event presenting Rogue's RH-5 headphone amplifier; 1–6pm, Esoteric Audio (Phoenix, AZ) is holding a Digital Audio Event featuring Roon 1.3 and dCS's new Network Bridge; 1–4pm, Deja Vu Audio West (San Diego CA) is holding an Open House.

Chad Kassem's Analogue Productions has wisely followed Russell's death with this superfine 200-gram, 33¹/₃ reissue of this craggy 1970s landmark, Russell's best studio album until his final closing statement, 2014's Life Journey.

The critic Gary Giddins once wrote that Kenny Dorham is "practically synonymous with underrated," so don't feel ashamed if you've never heard of this golden-toned trumpeter, who came up in the 1940s alongside the bebop giants, toiling for a decade as a sideman. Quiet Kenny, a 1960 album on the New Jazz label, is the only Dorham album that features no other horn player. It's just his quartet, and what a quartet—Dorham is accompanied by Tommy Flanagan on piano, Paul Chambers on bass, Art Taylor on drums.