This story originally appeared at InnerFidelity.com
Dag nab it! I got so busy last week with the Focal Utopia measurements that I neglected to get the new Massdrop Noble X measured and listened to for a quick report before the drop. Sorry about that.
By the time we had finished the house tour and admired the quiet beauty of the fir-canopied neighborhood, we sensed that we would follow our hearts from unsafe and increasingly unaffordable East Oakland, CA to the serene hamlet of Port Townsend, WA. We also knew that the only suitable place for my reference/review system would be in the 22' x 22' detached garage
With any large gathering of people who share a common passion, one is bound to encounter polarizing issues and the fiercely opinionated standing on either side. In the world, it's politics and religion. In our world, it's tubes vs solid-state, whether cables really matter or not, and, most recently . . . Master Quality Authenticated.
When David Murray decamped to Paris 20 years ago, the New York jazz scene lost its most distinctive voice: a tenor saxophonist who fused the hefty romance of Ben Webster, the improvisational zest of Sonny Rollins, and the avant skybursts of Albert Ayler. Now he's back, living in Harlem, playing at Manhattan's Village Vanguard (this week, through Sunday) with new and old bandmates, and sounding as lush, adventurous, and shiversome as ever.
The first time I saw Thomas's Sandwich Size English muffins on the shelves of my local supermarket, I thought, This is it: the English muffin has now been perfected, and I need never buy another kind. I bought a four-packtheir awesomeness is so potent that to supply them in greater quantities would apparently be dangerousand prepared one the minute I got home.
It was awful. In particular, it was impossible to toast just right: it was too thick, too doughy, just plain too big. I had learned a valuable lesson: Talking myself into wanting something isn't a good enough reason to actually buy it.
While many of the "modded Philips" firms simply replace the plastic "Philips" or "Magnavox" logo with their own after completing all their internal circuit mojo, for the Sonographe SD-22 ($895), Conrad-Johnson goes quite a bit further by wrapping the stock plastic flimsy-luxe box with their own heavy metal skin, making for a much stronger and nonresonant chassis. Unlike many of the modkateers, C-J doesn't replace the fairly flimsy stock RCA jack assembly of the Philips machine; in my experience, this is one of the first things to go bad on such a unit, as the contact integrity is usually poor and gets worse. Replacing the RCA assembly with high-quality gold RCAs would've raised the price of the SD-22 another $50100, but I think the long-term reliability might be worth it. The SD-22 has no digital-out jacks, only analog outputs.