DS Audio's Tetsuaki Aoyagi, known casually as Aki, was at High End Munich introducing his new DS Audio Eccentricity Detection Stabilizer ES-001 device. The next-gen (read: young) designer attended with his parents—something seldom seen at hi-fi shows. (That said, my father attended AXPONA again this year.) And families do attend the High End Munich show, perhaps more regularly than others.

There was buzz about many rooms at the High End Munich show but perhaps few were as talked about as the Nagra/Wilson Audio Specialties setup in Atrium 4.1 F130. It seemed to be among the more packed ones, a tough room to get into. I passed by twice before I was able to poke my head in, then was only able to return briefly near the end of the show.

Music lovers (and reviewers) long for those listening moments when their entire being lights up with joy. For me, that divine spark surfaced unexpectedly one February afternoon when, late for an appointment, I dashed into the music room, searching for my keys. That's when I heard a bit of the 24/96 WAV files of this issue's Recording of the Month, conductor Andris Nelsons's mammoth survey of the complete orchestral works of Richard Strauss, which I'd cued up on repeat to help Meitner's MA3 integrated D/A converter ($10,500) settle in.

The Los Angeles and Orange County Audio Society (LAOCAS) has chosen John Atkinson, former editor-in-chief and now technical editor of Stereophile, as the winner of its 29th annual Founder's Award.

I have this friend, a smart, good-looking young physicist from Argentina. Naturally, I call him "Gaucho." He lives in a glistening-white steel-and-glass apartment overlooking lower Manhattan. I visit him regularly, usually with a group of audio friends, mainly to compare recordings, drink wine, and talk hi-fi.