Only as I was leaving this room did Theresa Merchant tell me that when she, her husband Sunil, and the Sunny Components team first encountered the abysmal acoustics in this room, they thought all was lost. Thanks to the set-up acumen of David Ellington, AudioQuest Director of Sales for Independent Dealers, and a bunch of acoustic paneling, the room was a major success.

"This has to be one of the best sounding rooms at T.H.E. Show," said self to self. Listening to Count Basie and his Orchestra's rendition of "After the Rain," the beauty, clarity, and absolute spot-on rightness of every single high-end parameter I could think of impelled me to write in my notes, "The price reflects the pedigree of the sound."

There were no seats available. Nor was there any real reason to sit. Assembled partly for the fun of it, with components more common to DJs than audiophiles, Common Wave Hi-Fi's Club set-up was designed for enjoyment plain and simple. You've got to hand it to a dealership/social gathering place that devotes as much time to entertaining its guests as selling equipment. They go hand-in-hand, actually, if you do it right.

Hands down winner of my "Anything but Hotel California" Unusual Music Award, the first of Common Wave Hi-Fi of Los Angeles' three rooms kept platters spinning and visitors happy.

John McGurk's Audioshield distribution, together with Johnathan Ellis's Audio Chamber of Murrieta, CA, featured a system that delivered fine, clear, all-of-a-piece sound that brought a smile to my eyes and happiness to my heart.

For looks alone, few systems could top that from Ontario-based Wynn Audio. Perhaps the most eye-catching CD transport on the market, the Kalista DreamPlay X CD Transport ($68,800) with large outboard power supply, teamed with the DAC in the Métronome AQWO CD Player ($20,000) to create an awesome front end. Next to them, the unusual Vimberg Amea Bookshelf speakers ($18,000/pair; above) looked somewhat tame (which they weren't).

Katli Audio of Chino Hills, CA, the US importer of Usher Audio loudspeakers, paired Usher's ML-801 ($1l,950/pair in satin wood finish) with rarely-encountered-by-me Conrad-Johnson and other components. The ML-801 has a specified frequency range of 28Hz–38kHz, and a sensitivity of 87dB. A three-way, four driver design with two 8" carbon-fiber woofers, it uses a new 1.25" magnesium-alloy tweeter and magnesium-lithium alloy midrange unit.

Together in one room, PranaFidelity's Steven Norber and E.A.R. USA's Dan Meinwald guaranteed fine sound from great and unusual music. "The Dhara speakers are finally finished," said Norber of a 40lb standmount ($7950/pair with stands), which includes dual 6" woofers and a 30mm tweeter, and boasts a frequency range of 38Hz–23kHz, a sensitivity of 88.5dB, and an 8 ohm nominal impedance.

Chalk it up to show karma, but I've now covered two consecutive shows where the accuracy of CH Precision's latest gear has lent itself perfectly to comparison demos. In this case, it was AudioQuest's now-completed Mythical Creatures line of "characteristic impedance" cabling, in combination with Stenheim Alumine 5SE loudspeakers.

Joseph Cali, aka the producer/husband of singer Lori Lieberman, made audio news with his sneak peak of Gryphon's prototype EOS 2 loudspeakers ($20,800/pair). A successor to the Mojo S, the EOS 2 is the first Gryphon speaker with a beryllium-dome tweeter.