John Atkinson reported on B.M.C.’s new Arcadia loudspeaker ($36,300/pair) from January’s CES. But B.M.C.’s Carlos Candeias has already upgraded his design with SpeakON connectors between the outboard crossovers and the speaker cabinets, improved internal wiring, and a revised magnet construction in the midrange drivers. In addition, the speaker’s spikes now screw directly into the speaker’s base for better grounding. The changes come at no additional cost. “We improved the model, but that doesn’t always mean you have to raise the price,” said Candeias.

John Atkinson reported on Don Keele’s unusual constant-directivity CBT36 loudspeaker from last year’s Rocky Mountain Audiofest. At T.H.E. Show Newport, Keele and Marshall Kay, president of Audio Artistry, purposefully created an “economy system” (an iPad running Media Monkey, Benchmark DAC1, Crown preamp, ATI amplifier, Behringer DSP processor) to show how well the speaker could perform under sub-optimal conditions.

I sat in the Hi-Fi Company’s Hi-Fi Chair ($1500) and, while I immediately felt ridiculous, I also kinda sorta liked it. A lot.

Bluebird Music’s Jay Rein was pleased to show the Spendor Classic SP2/3R2 loudspeaker ($4295/pair), which takes the tweeter from Spendor’s SA-1 and combines it with the company’s original BBC technology, construction, and design.

This system is worth learning about, because it nailed tonalities spot-on. After going room-to-room for three days, I assure you that getting tonality and timbre spot-on is no mean feat. In fact, it's a pretty elusive goal for most components.

Walter Swanborn of Fidelis AV (pictured kneeling next to Holger Stein of Stein Music) hosted the North American debut of the Harbeth M30.1 monitor ($6495 in tiger ebony finish). Paired with the LFD NCSE 75 watt integrated amplifier with SE phono stage ($6295), Palmer 2.5 turntable with Audio Origami arm and Dynavector XX2 cartridge ($11,995), MSB Media Transport ($3995) and MSB Platinum Signature DACIV with Signature power supply ($17,500), the system produced the strongest and most predominant midrange of any I heard at T.H.E. Show Newport Beach.

"Daedalus Audio and ModWright Instruments have teamed up to show how good a sound you can get for close to $15k," Daedalus' Lou Hinkley explained as I entered the room. Indeed, for as much as I could hear over a very loud conversation, the sound of a track from River, Herbie Hancock's Tribute to Joni Mitchell, and another from a Norah Jones album was very, very nice.

During the brief amount of time I spent at CES 2012 in Las Vegas, one of my most impressive acquaintances was with the new Dynaudio Xeo 5 ($4500/pair) floorstander and Dynaudio Xeo 3 ($2300/pair) bookshelf wireless loudspeakers. Sold complete with a wireless transmitter and remote control, these loudspeakers deliver astonishingly good sound without need to spend money on speaker cables and the like.

In the second of four rooms from Sunny Components, Inc., Michael Manousselis paired Dynaudio's Confidence C2 Signature loudspeakers ($15,000/pair) with Boulder's 1021 Digital Player ($24,000), 1010 preamplifier ($14,000), and 850 monoblock amplifiers ($11,500/pair). Arrayed on a Finite Elemente Reference Rack ($15,000). Everything was connected with Transparent cable. The superb highs on this system immediately clarified why Dynaudio's Esotar2 tweeter has garnered so much praise.

Here shown in striking white, the F300 is a 3-way, two section ported loudspeaker whose two sections hold a total of four drivers. (The supertweeter is hidden in back.) The F300 boasts a frequency response of 25Hz–40kHz and, with the right jumper cables between its two sections, an especially warm midrange. Special to this loudspeaker is its Heil Air Motion Transformer tweeter, which produces striking detail.