Recommended Components Fall 2021 Edition Stands, Spikes, Feet & Racks

Stands, Spikes, Feet & Racks

Audio Elegance Furniture : $319-$4759
Audio Elegance's "aesthetically simple, sturdy designs" are available in three lines; in the upper two, Dakota and James River, only select hardwoods, softwoods, and multidirectional plywoods are used. Biscuit joinery is featured throughout, and finishes include catalyzed lacquers and hand-rubbed oils. Prices start at $319 for a Frontier Series amp stand and rise to $4759 for a Dakota Collection LP storage unit. Custom items are also available. (Vol.32 No.2 WWW)

Audio Points by Star Sound Technologies: $109.99-$349.99/set of 3
Highly polished point of solid milled brass, claimed to have been developed along the theories of Coulomb Friction, transfer resonant energy through the virtual point away from the component. 28 sizes and thread combinations available. (NR)

AudioQuest FogLifters: $149.95/set of 8
It is felt by many audiophiles and some manufacturers that speaker cables, interconnects, and even AC power cords should not be allowed to touch carpeted floors, with their unpredictable dielectric behavior. JA found that AudioQuest's FogLifter offers an effective solution, albeit an odd-looking one, as it resembles a mutant crab holding its claws in the air. (NR)

AudioQuest SorboGel Q-Feet: $129.95/4
Each cute, Q-shaped SorboGel Q Foot measures approximately 3" in diameter and stands about 1" tall in its PVC holding tray. Like Bright Star Audio's IsoNodes, Q-Feet are black, slightly squishy, and somewhat sticky, and are designed to absorb resonances and isolate components from external vibrations. Each Q Foot is rated to support 6.5lb. Because of their larger size and slick, rounded trays, the Q-Feet were far easier than the IsoNodes to properly place under the Music Hall USB-1 turntable. Atop the Q-Feet, the turntable seemed more stable and less susceptible to shifts, found SM. (Vol.34 No.9 WWW)

Ayre Myrtle Blocks: $8.50 each
Designed and made by Cardas Audio, each Myrtle Block measures 0.618" by 1" by 1.618", in accordance with the golden-section ratio. Myrtle Blocks are meant to be placed beneath the actual structure of a component in groups of three. AD heard "subtle but unambiguously nice things" when he placed them under most components. Beneath speakers, however, "they robbed the music of so much of its emotional wallop that it was downright creepy." "In a properly run universe, these wouldn't work at all," sez WP. "In this one—and assuming every other sonic hiccough is attended to—they do help," though he refuses to speculate why. (Vol.29 Nos.1 & 3 WWW)

BDR Sound Enhancement Pyramid Cones: $20 each
"Expensive, but very effective," according to J-10. WP and JA, who generally use these whenever they need to support electronic components, agree. (Vol.21 No.6)

Boltz CD 600 storage rack: $329
expansion kits: $239
LP shelves: $749/three-shelf unit
Each additional shelf: $209
Surfing the Net (www.boltz-usa.com), MF found these do-it-yourself racks: each is 48" high, 24" wide, just 6" deep, and holds 600 CDs! You can double or triple the capacity with the expansion kits, and the racks are now available pre-assembled. Now available as equipment racks, TV stands, and LP shelves. MF bought the LP rack, which consists of a heavy base and three shelves; additional shelves (3' wide by 10" deep) run $189 each, and you can stack 'em to the ceiling! "Really well-made and incredibly sturdy," reported The Analog One. Free shipping. Surcharge for signature "Clear Coat" finish costs $40 for the rack and $20 for the expansion kit. Anthracite Metallic or Black Matte Texture finishes are included in the base pricing. (Vol.22 No.11, Vol.24 No.1)

Box Furniture Co. Equipment Rack HS3S: $3000
Box Furniture Co. racks have premium hardwood frames and plywood shelves. All joints are mortise-and-tenon, and catalyzed finishes are applied to all surfaces. Art used a single-width, three-shelf rack finished in Quartered Sapele. Beautiful and sturdy, he said, and equipment stacked atop it sounded good. (Vol.32 No.2 WWW)

Bright Star Air Mass 3: $218
Ingenious, inexpensive, and effective air-bladder product that damps out floor and air-borne vibrations, MF said. WP agrees. Originally called Air Mass 1. (Vol.20 No.2)

Bright Star Audio IsoNode feet, Extra Large feet: $49.99/set of 4
Large feet: $24.99/set of 4
Small feet: $14.99/set of 4
These small (1.25" W by 0.75" H by 1.25" D), squishy, somewhat sticky half-spheres of polymer are designed to be placed between a component and its shelf, where they absorb harmful vibrations. The IsoNodes effectively isolated the Music Hall USB-1 turntable from footfalls, and while they were easy to knock out of place when used beneath that turntable's pivoted feet, the IsoNodes were stable when used with other components, found SM. (Vol.34 No.6 WWW)

Bright Star Audio Rack of Gibraltar 1 equipment stand: $2150 ★
Bright Star Audio Big Rock 1.1: $299 ★
Bright Star Audio Little Rock 1 Isolation Pod: $179 ★
Bright Star Mini-Rock F VPI isolation base: $199 ★
Bright Star IsoRock 6.3S: $388
A very effective isolation system for control of unwanted vibrational energy. Individual components float on a sand bed for energy dissipation, and are weighted down with the Little Rock to minimize spurious vibrations. The payoff is enhanced resolution of the music's nuances, says DO. RN adds that this system consistently tightens the bass, increases sonic transparency, and smooths treble hash and grain. The Bright Star TNT Big Rock is a $275 sand table specially sized to support the TNT. MF, BD, and BJR all use one under their VPIs, as they provide a stable surface and offer such sonic benefits as a lower noisefloor and increased bass. The Mini-Rock F is specially sized for use under the TNT's flywheel. KR placed each of his Bel Canto e.One amplifiers atop an IsoRock and encased it within a Little Rock for a belt-and-suspenders setup that had the amps almost glued to the floor, creating as optimal an environment as possible. "If you are concerned about RF and other nasties thrown off by digital amps," he notes, "these little guys will let you rest easy." (Vol.16 No.5, Vol.18 No.11, Mini-Rock F; Vol.20 No.4, TNT Big Rock; Vol.29 No.11 WWW IsoRock, Little Rock.)

Bright Star Rack of Gibraltar 2 equipment stand: $2650
Rigid, super-stable platform for audio equipment, and the "carrier" for the Ultimate Isolation System: air-base (Air Mass) and sand-filled damping platform (Big Rock) makes a "sandwich" of sorts. The Gibraltar 2, with its two-wide, three-high, widely spaced, large shelves, isn't quite ready for MoMA and boasts no neon lights, but "in its simplicity and quality it's attractive, even elegant," said BD. He recalled Louis Henri Sullivan, who immortalized the phrase "form ever follows function." Suitable for turntables, superbly built, and the best BD has ever used. (Vol.23 No.5 WWW)

Bright Star Ultimate TNT Isolation System: $2397
Simple, affordable, effective isolation system for the VPI TNT that combines a static pneumatic isolation mount with mass loading. WP noted that "high frequencies seemed clearer, less smeared—harmonics leapt off strings and floated independent of the fundamental…Bass sounded more deep and taut, especially sustained notes or anything in the bottom two octaves of the piano." BD agrees, finding that the Isolation System lowers the TNT's (already low) background noise, resulting in subtle but noticeable improvements in image dimensionality, ambience, and inner detail. (Vol.20 No.7)

Gingko Audio Cloud 11 isolation stand: $599
The Cloud 11 uses up to ten rubber-like balls strategically placed between two slabs of acrylic. Mikey's sample was configured for use with the VPI Scoutmaster turntable. MF: "Putting the Cloud under the Scoutmaster resulted in a dramatic lowering of the noisefloor and an improvement in the 'blackness' of the background. Images stood out in clarified relief, bass tightened, transients sounded sharper and more natural. The differences were not at all subtle." (Vol.27 No.11)

Grand Prix Audio Monaco equipment stands: $3150-$13,500
Despite their stylish, lightweight design, a four-shelf Monaco stand can carry up to 150lb per shelf, for a maximum total load of 500lb. PB: "More than anything else, the Monaco brought a sense of focus and a difficult-to-explain sense of calm" to the sound of everything he placed on them. Loading the hollow stainless steel columns with lead shot produced another increment of improvement: "Backgrounds became quieter, low-level detail retrieval improved markedly, and dynamic contrasts took on greater subtlety and sharper contrasts." Using separate isolation footers under components only "muddled things," providing evidence of the "fundamental soundness of the GPA approach to vibration control." The amp stand is expensive but "works as promised and looks cool too," decided MF. A 3-shelf system costs $7500; 4-shelf system, $10,000; 5-shelf system, $13,500; base module, $5500; short or tall module, $2995; amplifier stand, $3150; Formula Shelf Carbon-fiber/Kevlar composite shelfc$2620. (Vol.24 No.7, amp stand; Vol.25 No.12 WWW)

Grand Prix Audio Monza: $19,000 for 4-tier carbon fiber platforms, bamboo shelves, and Apex feet
All models in Grand Prix Audio's Monza series of four-column modular equipment stands offer polymer-filled stainless steel legs and carbon-fiber support platforms; bamboo shelves rest atop the latter, isolated by Sorbothane donuts, and the lot is supported by Grand Prix Apex footers, which use rigid balls of different types as isolation devices. (Apex footers are available separately.) In the experience of JVS, use of Monza isolation products in various combinations resulted in notably increased soundstage depth (and distance from the listener), weightier and more substantial images, increased clarity, and other gains—and he found the Monza products to be superior to their predecessors in the Grand Prix line, the Monaco series. In Jason's system, "Monza benefits are profound. I would never want to go back." (Vol.42 No.11)

Harmonic Resolution Systems SXR Audio Stand: $13,795 as reviewed
The SXR frame system comprises solid, heavy aluminum struts and rigid shelves of cross-braced aluminum. Each joint is damped with a thick donut of polymer. Circular holes in each of the cross-brace's four corners accept the base's feet, which support its weight with an elastomer suspension that isolates in both the vertical and horizontal planes; each foot of a component whose weight is unevenly distributed can have a base with an elastomer of different compliance. "Adding the HRS SXR improved my system's focus and low-level resolution, and lowered its level of background noise," said MF. (Vol.32 No.2)

IsoAcoustics Gaia-Titan Cronos loudspeaker isolation feet: $1599.99/set of 4
IsoAcoustics Gaia-Titan Theis loudspeaker isolation feet: $899/set of 4
IsoAcoustics Gaia I loudspeaker isolation feet: $499/set of 4
IsoAcoustics Orea audio equipment isolators: "Indigo" $59.99 each, "Bordeaux" $79.99 each
Gaia and Orea isolation feet are both intended to isolate the products they support from their environment, and both are offered in different sizes/compliances, to suit various component weights. Gaias, intended to replace the spikes/feet of floorstanding speakers, are topped with threaded rods (plus adapters) and come in sets of four; Oreas are sold singly, their smooth tops suitable for supporting amps/CD players/etc. After using a Gaia I set ($1199.98 for two sets of four) with his Monitor Audio loudspeakers, RD reported hearing "an across-the-board improvement in the sound," and he noticed a similar if less marked improvement after putting Oreas under his PS Audio monoblocks. JCA had a similarly positive experience with the Gaia-Titan Theis feet supporting Revel Salon2 loudspeakers, as did MF with the Gaia-Titan Cronos feet under his Wilson Alexxes: "The improvement in low-level detail, resolution, image focus, clarity, bass attack and decay, and transparency were—I'll write it again— not at all subtle. They were huge!" AD put a set of four Gaia IIIs ($199.99) under the heavy wooden plinth of his Garrard 301 turntable and wrote, "the difference I heard was beyond my expectations." For the better, he meant. (Vol.40 No.10, Vol.41 No.2. Vol.42 No.6, Vol.43 Nos.10 & 11 WWW)

Magico QPOD3: $1310/set of 3
Magico QPOD4: $1680/set of 4
Comprising a complex sandwich of CNC-turned stainless steel, oxygen-free copper, black-anodized aluminum, and a blue elastomer damping material, Magico's beautifully made, luxuriously packaged QPod footers are designed to convert vibrational energy into heat. With three QPods supporting his Ypsilon VPS-100 phono preamp, MF noted smoother vocal sibilants, improved soundstage depth, and better-controlled bass. "Now I don't think I can do without the stupid things." (Vol.35 No.6)

Mapleshade Maple Platform: $75-$690
KM liked what this basic a 2"-thick board of solid, "ready-to-be-finished" maple did for the Music Hall MMF-7.3 turntable (Vol.39 No.9).

Salamander S40 Core Module Rack: $1337 as reviewed
In search of a rack that would hold his growing collection of gear and provide easy access for swapping review samples in and out, KR hit on a double-width Salamander Synergy S40 rack, which he custom-ordered with a pull-out shelf and six Salamander Robot Feet. The finished product stands 44" high yet is "impressively stiff and rigid." KR concluded: "[I]t looks good, holds everything, and can accommodate visiting review samples." (Vol.38 No.9 WWW)

Skylan Speaker Stands: $335-$675/pair
Made by Noel Nolan in Alberta, Canada, Skylan stands use PVC posts with top and bottom plates of vinyl-covered MDF rather than resonant steel. ST uses the 20"-high, four-post SKY-P4 20 with his Harbeth Compact 7 ES-3s and Triangle Comete Anniversaires, filling the columns with kitty litter. Prices vary depending on height and number of posts. Four-post SKY-P4 20 (20" high): $531/pair. Twin post model for Harbeth P3ESR: $285/pair. Four-post stands for big speakers: $600/pair. Add shipping. (Vol.35 No.5)

SQ Products (Sound Quest) Isol-Pads: $25/set of 4
Each 2"-square-by-7/8"-thick pad consists of two slabs of ribbed rubber sandwiching a layer of isolation cork, and is said to support 75lb. ST is in the process of putting them under everything. "I'm no tweaker, but they did clean up the sound wherever I used them." (Vol.28 No.12)

Stillpoints Component Stand SS: $1999-$2799
This adjustable, space-saving stand is available in various sizes and configuations. It can be spread out or narrowed as needed and locked securely in that position, to accommodate the bottoms or footers of amplifiers of various sizes. Although MF was not sure if using the Stillpoints amplifier stands under his darTZeel monoblocks made an audible difference, in his space-limited room, the Stillpoints made his reviewing life much more convenient. (Vol.43 No.11 WWW)

Stillpoints ESS rack: $8140+
Intended to both dissipate vibrational energies occurring within playback gear and isolate that gear from external energies, the Stillpoints ESS rack is available in three widths and three heights, with various shelf options. Pre-tensioned steel cables isolate the acrylic shelves from one another, and various of Stillpoints' accessory feet also play a role in the somewhat modular design. Praising its contribution to "blacker" backgrounds and more precise transients in the sound of his system, MF described the ESS rack as an "ingenious and, I think, extremely attractive package." (Vol.38 No.12)

Symposium Rollerblock Series 2+: $549/set of 3, $729/set of 4
For improved resolution from your CD player (or any other digital equipment), ST recommended these precision-machined items, which consist of a block with a ball bearing set in a hemispherical depression. Once they're in place, he said, the sound "just tightens up, cleans up, clears up. I hear more low-level information. Imaging improves. Timin+N176g, too … . Transients are crisper. I hear improvement in just about every respect." The only drawback (outside of cost) is that the player might "roll around a little" when you load a disc or hit Play. SD concurs with ST's enthusiasm; MF became a believer in the "high-roller" phenomenon when he put his Virgos on the similar Yamamura speaker bearings. (Vol.22 No.4)

Symposium Super Plus Platform: $799 ★
Symposium Ultra Isolation Platform: $799
The top and bottom of the Ultra platform are aluminum, while the middle is made up of several unequal-thickness layers of vibration-damping material designed primarily to drain vibrational energy away from your component, rather than to provide isolation from external vibrations or footfalls. It succeeded at lowering noise and enhancing resolution, while bringing "an entirely subjective sense of ease" to listening, said JM. The less-expensive platform jazzed MF with the "top-to-bottom authority, focus, and slam" that his system gained when the platform was installed under his turntable. Prices are for 19" by 14" size; 19" by 21" costs slightly more. (Vol.20 No.5. Vol.26 No.3 WWW)

Vibrapods: $6 each
KR: "Placed under CD players/transports, DACs and preamps, the small (1"x3" diameter), formed Vibrapods isolate and enhance performance. Five different models rated for loads of 228lb; match the quantity to the component. I keep a box of them around so that no component goes without." A KR favorite. (NR)

Walker Valid Points: $450/set of 3 large cones and 5 discs; other sizes available
Heavy brass-alloy-and-lead cones, with points that rest atop large, brass-ringed, lead-filled "tuning discs." "Definitely worth checking out," said MF, "and Walker will refund your money if you're not satisfied. (You must return the set within 30 days in the original condition.)" MF adds that "not only do I like them a lot, they're well worth the price—as I clearly found when I put a set under the Ayre K-1 and added a few of the discs on top." Combined height may be too tall for some racks. Super Tuning Kit ($625) includes three large cones, five discs, and four 1" discs. (Vol.20 No.5, Vol.21 No.11)

COMMENTS
MatthewT's picture

Not much for me here, being a vintage gear fan first. Please bring back the entry-level column, there is a lot of gear at that price-point worth getting reviewed.

Anton's picture

Budgetwise, I think I would be most like a "Double A" audiophile.

Same with me and wine.

I do admit to seeing some of the top end prices for either wine or Hi Fi and thinking that there are people who have checkbooks that are 'better' than their palates/ears.

Like JA1 described in the past...there are already parts of my own hobby that are beyond my budgetary event horizon.

_

If we did have audiophile classes, from minor leagues to major league, I wonder what the price points for each step would be.

MatthewT's picture

Lets me play every now and then in the Majors. Nothing depreciates faster than audio gear. I have to admit being somewhat happy at seeing a dartZeel break while listening to it, while my beloved Sansui keeps making music.

Anton's picture

I like showing gear in the reviews to my wife and asking her to guess the price.

When I saw the OMA turntable in the latest issue, I guessed 15,000 dollars. When she saw it, she guessed 12,000 dollars, and we've been playing this game for 25 years!

Next, I asked her if I were able to purchase it for 90% off retail, would she let me. She said, "Only I promised to flip it immediately."

Then, she threw me a bone and said, "You could buy it and keep it for the 12,000 dollars that I guessed."

I'd need a 97.5% discount to have a chance at it. And even that would be wildly extravagant. I'm happy with life, this is just for scale.

tonykaz's picture

Above the PS Audio level is the world of Status & Ego. !

Which has me wondering if Stereophile is a Status & Ego type publication ? Is this a Robb Report mag that belongs on the coffee tables of private Jet Airports ? ( I've never seen it there )

Does an Anodized Red $200,000 Amplifier belong on the Front Cover of a magazine like ours ? None of us will ever have any chance to experience Velvet Rope Gear so why are we bothering with it? It being better is probably one person's opinion ( and that person probably doesn't have to buy it or own it ).

Reviews of these $100,000 +++++ pieces are man-speaking to us how our gear is deficient and unworthy, we are reading Hubris & gas lighting.

There is a World of $1,000 bottles of Wine, $25,000 Rolex Watches, Super pricy First Class Seats on UAL Flights and Political Leaders that are wealthy from insider trading. We shouldn't be reading about those things here.

Ours is like the world of our modest Canadian, revealing a new form of music discovery and writing one of Stereophile's most insightful pieces of literature about it. ( nice writing Mr. Robert S.)( is that the door bell? )

Tony in Venice Florida

rschryer's picture

Thanks, Tony

tonykaz's picture

Annnnndddd :

Thank You to the Editor that gave you the Word Budget and turned you loose.

Stereophile keeps raising the Bar !!!

Tony in Venice Florida

Anton's picture

Where on Maslow's Pryamid is a half million dollar record player?

I'm curious to see....misguided 'esteem?'

I prefer to use Swanson's Pyramid....

https://external-preview.redd.it/5cDe4MZ9E0ZfvcS10kmAUd2ynTkp6b3wfU-fYsxyNfg.png?width=960&crop=smart&auto=webp&s=be478d54ccedc0bd3a8ea8428e368fe10ed78c60

(Second from bottom left.)

tonykaz's picture

A most expensive record player would service the Ego needs of someone needing to establish themselves as the very Top of Analog Audio's Caste System.

The widely recognised Top Level Analog Format has been Tape.

I grew up in a Performing Arts household, my mother was an Operatic Performer and one of my older brothers was a Horn Player for our local Detroit Symphony Orchestra.

So, from my point of view, no Analog Audio System has ever come close to performing like a Live Audio Performance from a listening distance position.

Super pricy Audio Gear is about Status & Ego !!! ( I hear that Bob Carver still laughs at this stuff )

Tony in Venice Florida

tonykaz's picture

Yes, Brilliant Observation! ,

of which, of-course, I completely agree .

Proving the old maxim: when two people agree on something - only one is doing the thinking.

Now that I'm living in the Deep South, Swansons Pyramid is where I'm slowly migrating to. Hmm.

Y'all have a Grate Day

Tony in Venice Florida

ravello's picture

The introduction to recommended loudspeakers states that "Candidates for inclusion in this class [i.e. Class A, limited LF extension] must still reach down to at least 40Hz, below the lowest notes of the four-string double-bass and bass guitar." The Falcon LS3/5a, for example, most certainly does not reach down to 40 Hz, unless you define "reach" to include a -10 or -15 or even lower dB point, which cannot be construed as useful bass etension. This is probably true for several other speakers listed in this category. So what is happening? What is the thinking behind this inconcistency?

smileday's picture

Perhaps about -7 dB at 40Hz in this room. Fig. 6, https://www.stereophile.com/content/bbc-ls35a-loudspeaker-harbeth-measurements

It might be -3 dB at 40Hz in a broadcast van, the intended usage at the design stage.

tonykaz's picture

...performance level for all Great Transducers?

It was the very loudspeaker that brought me and my English partner into the Audio Business. ( back in the early 1980s ) -- ( my business partner and I begged Raymond Cooke for this design to import to USA - he said NO! )

Isn't it still a "Reference" for comparison ? , doesn't any new design have to match or exceed it's super high levels of performance?

This little device and a well matched sub builds an outstanding Desert Island System.

But, it's still outstanding without the Sub.

It may not be Full Range but it well earned a Lifetime Class A+ transducer system rating. ( four Decades + )

Tony in Venice Florida

Ortofan's picture

... like antique furniture, but the KEF LS50 Meta is a much more highly evolved successor.

tonykaz's picture

I'm sure that I agree with you.

I seem to have a deeeeeeeep seated feeling that the LS3/5a is the grandfather of High End music Gear.

Even during the 1980s, my little shop : Esoteric Audio in Farmington Frills, Mi. stocked most of the small mini-monitors including the LS3/5a, Linn Kann, ProAc Tablette, Spica TC50, Quad ESL63 and the whole range of other hopefuls. Performance wise, the ProAc Tablettes were the musical leaders, the Quads were the Sales leaders, the Spica was the Reviewer Favourite . We had them all on permanant comparison using a VPI player, Koetsu Rosewood, Electrocompaniet Electronics and MIT Music Hose cable interfaces. It was an exciting adventure for any and all customers to take part in the ongoing comparisons. People bought scads of 'all' of those small speakers types.

With great or outstanding supporting gear, the LS3/5a can Scale up to amazing levels of music reproduction.

Tony in Venice Florida

ravello's picture

@ smileday: With due respect, the link you posted is not to the current Falcon "Gold Badge" reviewed in 2021, which I was talking about, and which is about 12 dB down at 40 Hz (ref. 1 KHz) in JA's listening room on the evidence of Fig. 6 and Fig. 8 (red trace). This, as I was saying, cannot and should not be construed as useful bass extension at 40 Hz, so listing this speaker as "Class A, limited LF extension" is misleading (to say the least) in light of Stereophile's own stated criteria for inclusion in this category. Perhaps Editor Mr. Austin would like to take the stand on this. Furthermore, most of us don't listen to music in a broadcast van. Mind you, I am not saying that these are not truly great speakers. Indeed, I used to own the Harbeth P3ESR, which I found as nearly flawless as I suspect is possible in a loudspeaker, except for bass extension and volume (SPL) capability -- admittedly an inevitable design constraint given the size of the midbass driver, the size of the cabinet, and the benign impedance. This is why I eventually replaced them with a pair of the Harbeth C7 (40th Anniversary), which turned out to be game-over speakers in my small, 12 sqm study. Perfectly solid bass to 40 Hz and possibly below.

TowerOfPower's picture

It's surprising to not see a single Soundsmith cartridge on this list. Would like to know why.

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