Turntable Reviews

Rega Research sold more turntables in 2012 than in any of its previous 40-odd years of business, and is on target to do so again in 2013. How many turntables is that? I know but can't yet say.

The first commandment for a Stereophile reporter is to remain neutral about any product under review. But when a company has a history of making things you like, that isn't always easy to do.

Reviewing the VPI Avenger Direct turntable with its 12" FatBoy tonearm, I concluded, "The Avenger Direct recasts records I thought I knew well, revealing secrets and expressing a purer sense of each one's interior life." Covering the VPI Scout 21 for Stereophile's sister website, AnalogPlanet in October 2024, I wrote, "this $3300 table seriously swung and played it all warm and toasty, displaying a big heart. I would even say it displayed an inherent love of music, reflected in its wide rhythmic gait and warmhearted embrace of the LPs I spun on it. The 21 'table is quite the fine fit in the VPI sound family."

Despite my scarcely contained enthusiasm for these previous VPI products, I promise an unvarnished take on the Forever Model One turntable ($5250), which builds on one of the company's long-ago bestsellers, the HW-19, which was first produced in the early 1980s.

Though clearly built more for performance than for looks, the Thales TTT-Compact ($13,200), designed and built in Switzerland by Micha Huber, ranks among a handful of today's most elegant new turntables. Like the Spiral Groove SG 1.1 or the AMG Viella 12, the TTC-C, true to its name, is compact and self-contained, with its belt and built-in motor hidden under the platter.

That Huber was once a watchmaker is evident in every aspect of the densely packed TTT-Compact, which measures approximately 18" wide by 3.5" high by 12" deep. From the packaging and instructions to its muted, satiny finish, the TTC-Compact exudes sophistication of design and execution.

It doesn't happen very often, but every once in a while a new turntable comes to my attention that I have no prior knowledge of. The last new turntable company that was a complete blank slate was J.Sikora, which I first encountered about six years ago courtesy of importer Jeff Fox of Notable Audio.

Now I find myself in that position again, with UK-based Connected-Fidelity and their turntable the TT Hub. Until I read the press release last December, sent to me by Mike Fajen of importer/distributor Sierra Sound, I was completely in the dark about the TT Hub, its manufacturer Connected-Fidelity, and that company's owner and head designer Michael Osborn.

In his review of the J.Sikora Initial turntable, Stereophile's resident artist/sage Herb Reichert wrote, "Extended bathing, lighting candles, making tea, and preparing food are ritual work forms that prepare my senses to accept both pleasure and illumination."

When it comes to playing records, I too have a ritual. It involves carefully cleaning the vinyl, first on a Pro-Ject VC-33, followed by immersion in a HumminGuru Ultrasonic vinyl cleaner. Before and after, I inspect the record's grooves with a pricey VisibleDust Quasar R magnifier. Only then—black coffee hot, glasses cleaned, stylus brushed free of contaminants, notepad at hand—am I ready to receive the messages ingrained in a shiny black vinyl disc.

To watch as Rega very slowly expands its turntable offerings upmarket requires the patience of a Thomas Pynchon addict waiting for each new tome from the notoriously slow-working and reclusive author. Starting out 51 years ago with just one turntable model, Rega now offers turntables at seven different price levels, plus a few minor variations in between. During the "lost years" of waning turntable and vinyl sales in the 1990s and early 2000s, Rega boss Roy Gandy candidly admits that the company put little effort into advancing its turntable designs, as sales at the time didn't really justify the investment. Rega had shifted its focus to digital source components, amplifiers, and loudspeakers, and even introduced a tube CD player.

That momentum finally started to reverse about 15 years ago, as the vinyl revival started to kick in and turntable sales began to pick up again. By this point, Rega was a much larger company and was able to leverage its growing reputation to engage with cutting-edge high-tech manufacturing subcontractors. Through these new relationships, they created a test bed turntable called the Naiad that would extend their design philosophies as far as was feasibly possible...

The Naiad's high price was the result of some of the design choices that had already been made, when scaling up for production wasn't even under consideration. Rega knew it wouldn't be too difficult to create a more production-ready version, into which they could distill most of what they had learned from building the Naiad. The result is the Naia, where with just a few simple changes, they have managed to undercut the Naiad's price by more than 70%, down to $12,995.

Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.

To play a disc with Technics' new SL-1300G record player means pushing its round On button, then touching one or more of its rectangular speed selector buttons, then pushing the big square [Start:Stop] button, then unclamping the tonearm and using its cue lever to raise it up.

Next comes the part where my heart beats a little faster: using the headshell's fingerlift to position the arm over the disc and lower it into a groove.

When the needle contacts the groove, the whole system kicks in and sound comes out.