News

Sort By:  Post Date TitlePublish Date

Protecting the Consumer

The record companies have declared war on their customers when it comes to the fair use rights of purchased music, and it would appear that they want the government to enlist in their crusade. Previous weeks have seen South Carolina senator Ernest Hollings propose draconian copyright">http://www.stereophile.com/news/11287/">copyright legislation as well as recent pro-Hollywood remarks from California's senator Diane Feinstein.

Copy Protection: The Next Level

During copyright protection hearings in Washington the last week of February, South Carolina Senator Ernest "Fritz" Hollings labored mightily to please patrons Michael Eisner, CEO of Walt Disney Company, and Jack Valenti, president of the Motion Pictures Association of America (MPAA). Hollings' questioning of panelists from concerned industries was generally even-handed, according to several reports, except for his treatment of Intel executive vice president Leslie Vadasz, whose opposition to government-mandated copy control provoked an especially vindictive outpouring of vitriol from the 80-year-old Senator.

The Mobile Audiophile

If you find yourself spending more time in a car seat than in your audio system's sweet spot each day, the trend pairing high-end audio companies with car manufacturers may offer a little relief. Lexus made a big splash last year by incorporating Mark Levinson technology into its latest cars, joining collaborations between Dynaudio and Volvo among others.

Added to the Archives This Week

Michael Fremer says he has heard many phono preamps in his career as vinyl's pre-eminent advocate, but a few do stand out. MF lived with the Conrad-Johnson">http://www.stereophile.com//analogsourcereviews/525/">Conrad-Johnson Premier 15 phono preamplifier for several months to see if it would be one of the medalists. Jonathan Scull also adds some thoughts on the Series 2 version.

Big Music's Malaise

The most entertaining part of the 44th Annual Grammy Awards wasn't the "Lady Marmalade" production number that opened the show or Alicia Keys' awkward tango later. It was Recording Academy President Michael Greene's rant about the criminal enterprise of electronic music swapping, a phenomenon that, he warned, threatens the music industry's very existence.

Advertisement
Advertisement