Interviews

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Art Dudley  |  May 21, 2018  | 
Six weeks ago, Jana Dagdagan and I visited the Peekskill, New York factory of Soundsmith—her first time there, my second. Although I didn't mention this to the company's President and Chief Engineer, Peter Ledermann, the thing that most impressed me during my second visit was how little had changed since my first, in April of 2015. In particular, all but two of the employees I saw at Soundsmith this year had been there during my first visit; that suggests an experienced workforce—no small advantage in the manufacturing of phono cartridges, where the requisite skills are specialized, to say the least—a setting where people feel sufficiently challenged and appreciated that they stick around for years rather than mere months.
Ken Micallef  |  Mar 07, 2018  | 
Richard Matthews has sold upwards of 30,000 tubes in the last ten years and he still has 100,000 tubes to go! Working out of his Leeds Radio warehouse in the Bronx, Matthews has every tube imaginable in stock, as well as a vast variety of tube testers, classic radios, capacitors, beautiful vintage tube boxes and many, many collector's pieces.
Robert Baird  |  Mar 06, 2018  | 
In her wild ride of a memoir, A Woman Like Me (2012), eclectic soul and R&B singer Bettye LaVette spoke of being hung over a 20th-floor balcony of a Manhattan skyscraper by her pimp boyfriend. She revealed that she'd slept with Ben E. King and Otis Redding, and had even spent a minute dabbling in prostitution. She had dropped acid with George Clinton. Finally, she had her moment of satisfaction when she delivered a knockout performance of the Who's "Love, Reign O'er Me" at the 2008 Kennedy Center Honors. In the audience, all agog, were Beyoncé, Barbra Streisand, and Aretha Franklin, all more successful than she.
John Atkinson  |  Feb 28, 2018  | 
Earlier this week, we posted a video blog with PS Audio's founder and CEO Paul McGowan giving Jana Dagdagan and me a post-CES tour around the Boulder, Colorado company's factory. Following the tour, I sat down with Paul in Music Room One and in a wide-ranging conversation, we talked about amplifiers and loudspeakers, DACs and audio systems, and the state of high-end audio.
John Atkinson  |  Feb 25, 2018  | 
Immediately following the 2018 Consumer Electronics Show, our resident videographer Jana Dagdagan and I visited PS Audio in Boulder Colorado. The company's founder, Paul McGowan, gave up his Saturday to give us a tour of the factory.
Jana Dagdagan  |  Feb 09, 2018  | 
Back in the early summer of 2017, Jack Oclee-Brown, KEF's Head of Acoustics, visited John Atkinson to set up the KEF Reference 5 loudspeakers in his listening room. JA's review of the Ref 5 was published in October 2017, and during Jack's visit JA talked to him about the design of that speaker. But they also discussed KEF's affordable "Q" line of speakers and the challenges a manufacturer faces in bringing an inexpensive loudspeaker to market, the subject of this interview.
Jonathan Scull  |  Feb 08, 2018  |  First Published: Oct 01, 1999  | 
Tom Jung of DMP (Digital Music Products) is known as one of digital's early adopters. He's also an outspoken proponent of Sony's Super Audio CD over DVD-Audio. As I was intending to review Sony's first SACD player, the SCD-1, I invited Tom to Kathleen's and my Manhattan loft to investigate further. Tom and son Paul, who's responsible for DMP's sales and marketing, arrived with a passel of big drives, a DSD computer controller, and electronics designed by Ed Meitner.
Ken Micallef  |  Feb 05, 2018  | 
Chances are, if you're a regular Stereophile reader, you're already a fan of tenor saxophonist Jerome Sabbagh. How so? Because our astute crew of writers, editors, and all-round trendsetters have their collective fingers on the pulse of music that matters. Stereophile Contributing Editor Fred Kaplan reviewed Sabbagh's 2015 vinyl release, The Turn, bringing his honed insight to bear on a recording he describes as "spectacular. Sabbagh's sax floats palpably between the speakers, Ted Poor's drumkit crashes and sizzles . . .Ben Monder's guitar sparkles or wails. . . and Joe Martin's bass plucks and thumps like an anchor. Everything is clear, in a wide, deep, seamless space."
Jana Dagdagan  |  Jan 26, 2018  | 
"Richard Vandersteen doesn't look like a typical loudspeaker designer," wrote Ken Kessler when he interviewed Vandersteen in the July 1988 issue of Stereophile. JA talked speakers with Richard Vandersteen at the 2018 Consumer Electronics Show, held January 9-12 in Las Vegas, NV.
Robert Baird  |  Jan 22, 2018  | 
Another high-quality LP reissue label catches fire...
Robert Baird  |  Jan 04, 2018  | 
Is classical music really on the ropes? Living in New York City, it's easy to think that is a myth cooked up in the provinces.

Recently, at a performance of the Metropolitan Opera's fabulous current production of Jacques Offenbach's The Tales of Hoffmann, directed by Bartlett Sher, I experienced Classical Music 2017 up close and personal. In the audience, multicolored sequined jackets and cheetah-print slip-on sneakers mixed with tuxedos. Merrell hiking shoes and Patagonia down jackets crossed with slim-fit outfits from Billy Reid and Hermes bags. Between bravura tenor Vittorio Grigolo in the title role and soprano Erin Morley's absolutely wonderful portrayal of the doll, Olympia (Bravo!!!), it was a performance for the ages. None of the recordings I've heard come close.

Stephen Mejias  |  Jan 01, 2018  | 
From left to right: Gideon Schwartz, Ron Carter, and Stephen Mejias in the listening room at Audioarts.

I'm sitting next to Ron Carter in the listening room at Manhattan dealer Audioarts, trying not to cry. We're listening to "All Blues," the title track from Carter's 1974 CTI release—a meditative rendition of the Miles Davis masterpiece that has been slowed-down and elongated in such a way that it practically pulls tears from eyes as easily as Carter pulls notes. It's hard to believe that anyone other than Carter has ever touched this piece. Right now, it belongs entirely to him. The system through which we listen is doing a fine job of articulating Carter's distinct combination of purpose and passion. To describe his performance as mere magic would be an insult to his craft, yet to focus too heavily on his discipline would be an injustice to his art.

Jana Dagdagan  |  Dec 27, 2017  | 
L–R: NoHo Sound's Chris Petranis, Alex Roy, taxidermy bear, & Ron Kain

In an industry constantly perplexed by the absence of youth, diversity, and appreciation for the hobby, three audiophiles set out to revolutionize the industry with the opening of a new hi-fi shop in New York City that is anything but ordinary. NoHo Sound & Stereo (NoHo Sound for short) is located in a swanky loft in the lower Manhattan district NoHo—open seven days a week, by appointment only, with a second location in Chelsea. In addition to selling hi-fi, they host weekly—yes, weekly—live music events of all genres, where startups like Groupmuse and Sofar Sounds use their space for performances, with 100% of proceeds going to the musicians. They also host events in collaboration with the nearby World of McIntosh Townhouse.

Jana Dagdagan  |  Dec 04, 2017  | 
The January 2018 issue of Stereophile, which will hit newsstands at the end of this week, features GoldenEar Technology's flagship Triton Reference loudspeaker on its cover, with a review inside from John Atkinson. When GoldenEar's co-founder and president Sandy Gross visited JA last July to set the speakers up in his Brooklyn listening room, John asked Sandy about his loudspeaker design goals, his preferences in sound quality, his tastes in audio, and the state of the high-end audio market.
Robert Baird  |  Oct 05, 2017  | 
Seeing your album in a record store's cutout bin meant one thing. Despite the label execs' wide smiles, warm handshakes, and earnest promises to the contrary, once the record jacket had a hole punched in it, or its corner clipped, it meant your record label had lost faith and moved on.

Record collectors felt differently. The prices of cutouts were right—usually, from 99õ to a penny under two bucks. And cutouts were better than digging through crates because the records were still sealed . . . even if the jackets were a bit mangled. The beauty of cutouts was that they were so cheap, you could afford to be lavish, and go home with anything that caught your fancy.

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