Interviews

In our September issue, I wrote about Pioneer’s excellent SP-BS22-LR loudspeaker. At just $129.99/pair (and often discounted), the SP-BS22-LR represents extraordinary value and may very well attract a wider and younger audience to true high-fidelity sound. The only thing I don’t really like about the speaker is its tongue-twister of a name. (But that’s easy to forgive. Most people can’t pronounce my name, either.)

While preparing the review, I took the opportunity to ask Andrew Jones, Pioneer’s chief engineer, a few questions about hi-fi, music, and loudspeaker design. As always, Jones was forthright and charming; his answers to my questions were often enlightening.

Before striding into the future, John Dibb enjoyed considerable exposure to his sceptered isle's fascinating past. He was born in England's North Country, in 1948, in a model West Yorkshire village established a century earlier by an enlightened industrialist determined to provide comfortable housing and communal amenities for his employees and their families; called Saltaire, it's now a UNESCO World Heritage Site. At age 11, young Dibb won a place at the nearby Bingley Grammar School, which dates back half a millennium, to the era of Henry VIII. He later studied at the University of Bradford, one of two English colleges then offering a course in materials science.

As I had been impressed with Ted Denney's Synergistic Research cable, I thought that asking him for 25,000 words on his thoughts on cable design and performance would be an appropriate accompaniment to my Symphonic Line Kraft 400 amplifier review.

In April 2013, Stereophile editor John Atkinson took part in two Music Matters evenings held by Colorado retailer ListenUp. JA took time off from the formal presentations to talk to ListenUp's George McClure about how we perceive music and about what matters most when we record and playback music.

Down deepest, beneath everything he does, underlying all the facets of his ever-expanding career in music, Terence Blanchard is still a New Orleans guy. Question that and you can hear his dander rise.

Tune those young ears, Mr. Anderson! After a 30-year career in audio engineering that's seen his name appear in the credits of over 1700 albums, Jim Anderson, who won the 2013 Grammy for Best Surround Sound Album, for his remastering of Patricia Barber's Modern Cool, thinks education is the key to stemming the tide of degraded sound that threatens to swallow the recorded-music industry. Anderson, who's taught for a decade in New York University's Clive Davis Department of Recorded Music, starts his students early.

It's not easy to get Roy Gandy to look back. "I'm not a past person, I don't reminisce," he says. "But right at this moment I'm feeling very happy. We've not quite completed the launch of a whole new range of turntables and a new range of electronics, and I'm feeling elated."