Integrated Amp Reviews

On a cold, clear February morning, I attended my first in-person press event since the beginning of the pandemic. Marantz had invited me to a small group session in a suite at the Equinox Hotel at Hudson Yards but gave no indication of what was in store. After two years without live press events or audio shows, I was not going to spurn the offer no matter what would be presented: I was hungry for hi-fi. Upon arrival, I learned that Marantz would be featuring just one new product, a streaming integrated amplifier, the Marantz Model 40n ($2499). Sure, I'm in.

Old-school audiophiles like me cling to our vinyl records and CDs. We spin them on turntables and slide them into transports, which send electric signals through wires to solid state or tubed amplifiers—a string of hardware devices. But, despite our object-attached ways, we're quite aware that we are living in a software-enabled, Bluetooth-connected, Wi-Fi–facilitated world. Even our Milky Way galaxy is wireless; as that pontificator of everything galactic, scientist Neil DeGrasse Tyson, has proclaimed, "We're all connected."

I've been on a Kim Gordon kick lately. It began a few months ago with rediscovering some Sonic Youth albums and picking up Gordon's solo record, No Home Record. I recently finished reading her memoir, Girl in a Band, about her life, art, and musical career. I tend to read books rather than listen to them, but this time I listened with the Audible app, and I found the experience compelling. Gordon's delivery is direct, her voice even-keeled, almost deadpan. She's giving us the straight dope. Subtle inflections are detectable: moments when she felt strong and proud; leftover cobwebs of postbreakup pain. Her humanity came through.

Technics, an arm of the Japanese giant Panasonic Corporation, has long been a major player in the hi-fi world, even if, in some recent decades, it stayed below the radar.

In the 1970s, analog-centric audiophiles particularly praised the Technics SP-10, the world's first direct drive turntable. Created by Matsushita engineer Shuichi Obata in 1969, the SP-10 and its successors became the standard in vinyl playback for American radio stations during that heyday of broadcast radio.

Out of the blue, a forever friend I hadn't spoken to in years called and asked me to join him at Riverside Church for a concert of William Basinski performing his renowned Disintegration Loops. Dedicated to the victims of 9/11, the work was completed as Basinski watched the airplanes crash into the World Trade Center from his Brooklyn rooftop.

When the person on the street hears the term "high-end audio," they usually think of fancy, feature-laden systems that cost more than most houses. The unfortunate phrase evokes images of a lavish lifestyle replete with expansive Manhattan apartments and rolling country estates.