Floor Loudspeaker Reviews

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Wilson Audio Sasha W/P loudspeaker

Before last year, I had no more than a professional interest in the products of Wilson Audio Specialties. But before last year I hadn't experienced Wilson's">http://www.stereophile.com/artdudleylistening/listening_86">Wilson's Sophia Series 2 loudspeaker ($16,700/pair)—which, like the wines I tend to order when my wife and I go out to dinner, is the second-cheapest item on their menu. Within weeks of the Sophias' arrival, respect had turned to rapture, like to love, and an entirely new appreciation for Wilson Audio was mine (footnote 1).

Vivid Audio G1Giya loudspeaker

Over the years that I've been reviewing hi-fi, I've had my share of loudspeakers that drew comments from everyone who visited during the audition period. Some of those comments were about the speakers' appearance—most often about their size—and some were about how good they sounded. Vivid's G1Giya loudspeaker ($65,000/pair), its narrow-baffled, swirling cochlear shape molded from fiber-reinforced composite, elicited more comments of both types than has any other speaker I've reviewed.

PSB Image T6 loudspeaker

For the past few years, PSB Speakers International has been replacing its older lines with new models designed in Canada, and assembled in China from Chinese-made components. Judging from the reception here of PSB's Synchrony">http://www.stereophile.com/floorloudspeakers/408psb">Synchrony One and Imagine">http://www.stereophile.com/floorloudspeakers/psb_imagine_t_loudspeaker"… T, it's clear that the new models combine advanced performance with true economy. Now, with the new Image line, we see the result of trickling all this down to less expensive products.

Canton Reference 3.2 DC loudspeaker

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I was greatly impressed by the performance of the Canton Reference 9.2 DC loudspeaker, which I reviewedhttp://www.stereophile.com/standloudspeakers/308mitr">reviewed; in the March 2008 "Music in the Round" in the context of a 5.1-channel system. Those beautiful jewels not only sounded balanced and transparent, they had more sheer grunt in the low end than could be reasonably expected from their size. I wanted to hear more from Canton, but couldn't decide whether to go up in size or down in price. The problem I've always had with Canton is that they offer such a wide range of products that it's like choosing food from a multipage menu at a fine restaurant: everything looks good. It's especially difficult when your hunger is further piqued by your own past experience and the recommendations of others. (Check out the November">http://www.stereophile.com/floorloudspeakers/1106canton">November 2006 issue to learn how much Wes Phillips enjoyed Canton's flagship speaker, the Reference 1 DC.)

JBL Synthesis 1400 Array BG loudspeaker

JBL was founded 60 years ago, by Jim Lansing. Its history has been amply detailed in the book The JBL Story: 60 Years of Audio Innovation, by the late John">http://www.stereophile.com/news/052107eargle">John Eargle's (JBL Professional, 2006). Although it is primarily known for its pro-audio loudspeakers, the Californian company has offered a steady stream of high-performance domestic loudspeakers to the home market, including the 1971 Paragon, the L100 bookshelf speaker, and the JBL 250Ti floorstander, all of which remained in JBL's catalog for 20 years. In 1990, JBL produced the Project K2 S9500 flagship speaker for the Japanese high-end market. The K2 Project culminated in the $60,000/pair DD55000">http://blog.stereophile.com/ces2007/010907mikeyjbl">DD55000 Everest system, with its cross-firing asymmetric horns, and the subject of this review, the Synthesis 1400 Array BG, was a spin-off from the K2 project. It features horn-loaded midrange and tweeters to attain a flat response out to a claimed 48kHz.

Flatline Design 175 loudspeaker

Balanced performance isn't the be-all and end-all of product design. A person can listen to a product which balances the highs with the lows, detail with forgiveness, delicacy with dynamics, and still feel unmoved. Such a product might sound "proper," but it won't produce the illusion of a live performance. It takes a special window or two on reality to convince you you're listening to live music. Such a loudspeaker may have other deficiencies which keep it from being a universally appealing product, but it keeps reminding you of the live experience. It may appeal only to a small number of audiophiles, but their experience may well be more intense.

The Fifth Element #59

There's a fantastic new two-SACD/CD set of a demonstration-quality live recording of a rather obscure work you really should get to know, not only for its own merits, but also for what I believe is its underappreciated but major influence on music and on popular culture. The piece is by 20th-century composer Arnold Schoenberg, but trust me—it's more than "listenable." It (or, at least, the music on the first disc) is beyond engaging; it is compelling—a revelation, even. The work is Gurrelieder (Songs of Gurre), Gurre being a castle in medieval Denmark that was the setting of a real-life doomed love triangle, the story of which has since loomed large in the moodily brooding artistic consciousness of Danes. The 19th-century Danish poet Jens Peter Jacobsen wrote a collection of poems based on medieval legends, including this one, and a German translation by Robert Franz Arnold provided Schoenberg's dramatic texts.

Music in the Round #41

It was only a few">http://www.stereophile.com/musicintheround/music_in_the_round_37/index2… months ago that I greeted Oppo Digital's BDP-83 universal Blu-ray player as a breakthrough consumer component, and it became a Runner-Up for Stereophile's Budget Product of 2009. It now appears that Oppo is using the design as a base on which to develop similar and more advanced products, both for themselves and for a good many other manufacturers. Some may take exception to my use of the word manufacturers—if it's an Oppo under the skin, what, precisely, are these other "manufacturers" contributing? Well, that's hardly a new question.

Vandersteen Model Seven loudspeaker

It's difficult to believe that the former top model of Vandersteen Audio's line of loudspeakers, the Model 5, has been in production in one form or another since 1997. Time passes quickly when you're having fun. Like all Vandersteen speakers, the 5 was and remains a good value and performance proposition. For all the 5's high technology and excellent performance both measured and audible, its price now starts at under $20,000/pair (up from about $10,000/pair when the 5 was introduced in 1997), including a built-in, proprietary powered subwoofer in each cabinet, and a sophisticated equalization system for room compensation.

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