AXPONA 2024

Audiophile dream team Mike Pranka (Dynavector, Well Tempered Lab, JM Reynaud) and Charlie Schnyder (Stereo Haven) transformed room 624 into a sonic oasis. This well-tuned system made up of meticulously curated equipment delivered precision and nuance.

Colin King and Doug K of Gestalt Audio Design of Nashville, Tennessee, presented one of the more unusual looking rigs at AXPONA, complete with a fantastical copper-colored turntable with a steampunk clamp, a pair of bug-eyed loudspeakers each with a field-coil midrange driver, and a master controller that looked like it had been rescued or stolen from a Russian submarine circa 1957.

When “What a beautiful midrange!” is the first phrase that floats through your brain as you settle down to listen to a hitherto unknown system, you can be pretty certain you’re in for a rewarding time.

Bruce Ball’s AV Luxury Group, with a little help from his other distribution company, Ball Audio Distribution and System Solution (which forms what may be the world's best acronym), and Dantax Radio set up two systems headlined by Margules electronics.

In the Innovation room, operated by Joe Corona of Chicago-based dealer Saturday Audio Exchange, two systems played, both featuring new components.

Ampsandsound’s Justin Weber brought a big pile of black vinyl to Chicago, lining the small room’s walls with album jackets. He had me at Sphongle, an electronic industrial act that churned out of the world-debut Ampsandsound Hudson 3-Way speakers ($18,000/pair) like dirty psychedelic water erupting from a broken sewer pipe.

In the Nirvana C ballroom, Nguyen Phuong of Clarisys Audio USA played his range of Clarisys Audio Panels, of which the smaller Minuet panel had so impressed me at the recent Florida International Audio Expo.