LATEST ADDITIONS

Axpona lives! The Audio Expo of North America, the consumer high-end audio show whose <A HREF="http://blog.stereophile.com/axpona2010">successful 2010 launch</A> in Jacksonville, Florida, established it as the premier high-performance audio show on the East Coast, has moved to the far more accessible and convention-friendly Sheraton Atlanta, in Georgia. Scheduled for April 15&#150;17, 2011, with a special four-hour trade preview on April 14, the show is cosponsored by <I>Stereophile</I> and <I>Goldmine</I>.

I’ll be up by 3am tomorrow morning, on my way to JFK International Airport to board an early flight to Aguadilla, Puerto Rico. Once in Aguadilla, we will rent a small car and drive a few miles to my aunt’s guest house, which is situated atop a lovely little hill in the great beach town of Rincon. I will spend the next five days there, drinking rum and thinking about nothing in particular.

<i>Inside Box Number One: Sumiko’s new <a href="http://www.sumikoaudio.net/okki_nokki/idx_products.htm">Okki Nokki</a> record cleaning machine ($549)!</i>

The November 2010 issue of <i>Stereophile</i> is now on newsstands. Immediately after shipping the issue to press, we had to redirect our focus to shipping the <i>2011 Stereophile Buyer’s Guide</i>. And almost immediately after shipping the <i>Buyer’s Guide</i>, we had to redirect our focus to shipping the December 2010. While the December issue was in its very final stages, we had to fly to Denver to cover the outstanding <a href="http://blog.stereophile.com/rmaf2010/">Rocky Mountain Audio Fest</a>. It’s been a whirlwind and I can honestly say that I hardly remember <i>working</i> on the November issue.

One of the most-frequently given answers to last week's Vote! was a variation on "trust your ears." But can your ears <i>always</i> be trusted?

When I reported in our report from the 2009 RMAF that I perceived a degradation when Ted Denney of cable manufacturer Synergistic Research removed his tiny ART devices from the room, it triggered a debate that raged not just in the comments following that report but also in our website forum right up to today. The fact is that these small metal bowls are too small to have a significant effect on the acoustics of a room at frequencies below 10kHz or so, yet they seem to improve the accuracy and stability of stereo imaging and even tighten up the sounds of bass instruments. It is a mystery, therefore, how these devices can work. I have conjectured that perhaps they have an effect on the listener’s state of mind rather than the acoustics, but if so, then I don’t comprehend how that effect can be both repeatable and demonstrable. Whatever they do—if they do anything, that is—therefore, I wasn’t sure what to expect when I went into my final room at the 2010 RMAF, the Synergistic room.

Jeffrey Catalano’s High Water Sound provided my very favorite musical experience of the 2010 Rocky Mountain Audio Fest. Along one wall of the room, there were stacks and stacks of vinyl records, an obvious sign of something good about to happen.