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Similar to the system we enjoyed at the California Audio Show, here we heard the beautiful Sony SS-AR1 loudspeakers ($27,000/pair) with Pass Labs X600.5 power amplifiers and XP-20 preamplifier, Parasound Halo JC3 phono preamp, Clearaudio Concept turntable, and an EMM Labs XDS1 SACD player. Speaker cables were Kimber Kable's KS-3033, interconnects were Kimber's KS-1111, and AC cables were Kimber's PK-10 Gold.

The system sounded rhythmically nimble and certain with big, fleshy images, a rich midrange, and warm, full bass. Easy to listen to and easy to enjoy.

Something strange and awesome was going on in the Zu Audio room. The lights were low, an evil but alluring sound was filling the room, and the company’s Sean Casey was crouched down in a corner, surrounded by vinyl.

Here we see AudioStream’s Michael Lavorgna in serious listening mode. (We can’t seem to keep him away from vinyl.) The album is Edward Ka-Spel’s O Darkness! O Darkness!

In 2010, sales of motorcycles equipped with sidecars accounted for only 4% of total motorcycle sales in the US. But that was a significant increase over 2009, which was itself an increase over 2008. While numbers remain low overall, sales of sidecar motorcycles are going up at a decent rate, while sales of most other motorcycles are in the toilet.

Trends in turntable design shift back and forth over time, each "advance" turning out to be a mostly sideways move. Over its long history, VPI's founder and designer, Harry Weisfeld, has moved the analog goalposts back and forth as he's refined his thinking. His early turntables were mostly standard spring-suspension designs of normal size. By the time Weisfeld produced his fully tricked-out TNT model, which was originally designed to stably hold the heavy moving mass of Eminent Technology's ET2 air-bearing arm, he'd moved to a massive, oversized, sandwiched plinth with isolating feet at the corners. He first used springs and, later, air bladders originally designed to cushion a tractor-trailer's load, and which he'd found in a trucker's supply catalog. Via an O-ring, the TNT's outboard motor drove one of three pulleys that protruded from holes in the plinth, and attached to a T-shaped subchassis that, in turn, drove the other two pulleys via two additional O-rings.

For the past few months, my system has been in a serious playback rut. The disc tray on my Oppo DV-980H does not pop out, and my Rega P1 is in unmistakably poor shape: the tonearm cable to connect the tonearm to the cartridge ripped off from the tonearm, one of the tonearm pins ripped off the tonearm cable and is firmly pinned onto the cartridge I never installed (an Audio Technica AT95E), and the needle on my old Ortofon cartridge is bent backwards, which is the reason why I needed to change my cartridge to begin with. I promise, I have reasons for all of this. Not good reasons. Thus, most of my music listening for the past seven months, has been done at work in my cubicle via different digital music streaming services, in the hopes of finding a service that would be fun and functional.

AudioStream.com is a new website edited by Michael Lavorgna dedicated to making sense of the evolving world of computer audio and getting the best sound from your computer-based audio system.

The site's motto is "Computer Audio For Everyone" and will focus on the world of computer audio hardware, software and music resources. Topics will include hardware reviews from the mass-market right up to the bleeding-edge of what’s possible as well as in-depth analysis of music management software and an exploration of our newest music resources including HD download sites, streaming media and cloud services.