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This year's SSI included a Canada Pavilion exhibit, honoring Canadian manufacturers of audio products. One of these was Simaudio. This was my first chance to get a close look at the Signature version of their 600i 125Wpc integrated amp. It's $14,200 in ultra-shiny gold finish that's a photographer's nightmare. I mentioned to Simaudio's Lionel Goodfield my difficulty in getting a decent photo of the 600i Signature, and he said that it took their professional product photographer several hours of fiddling with various lighting accessories to get a product picture that they could use. That made me feel better.

Another interesting product featured in the Canada Pavilion was the exaSound e18DAC ($1999). It is, as the name implies, a DAC, but it's much more than that. Featuring a maximum 384kHz/32-bit sample rate and bit depth, it can function in stereo and 8-channel modes, and has a formidable list of technical specifications, including a 0.13ps master clock with 3 precision quartz oscillators, 17 power filtering stages, galvanic isolation between the USB subsystem and the DAC circuits, true asynchronous USB interface, hardware volume control implemented by the DAC chip for the highest S/N ratio, and has a high-quality headphone amplifier.

This Devialet D-Premier D/A integrated amplifier seemed to be flashing its own price: $16.5k, for which the lucky owner gets 240Wpc, sleek styling, and a great deal of up-to-date technology, including 192/24 WiFi capability. I had hoped to learn more about the D-Premier (and the impressive Focal loudspeakers it was driving), but the pleasant young fellow who was running the booth couldn't make himself understood over the very loud playback levels—and the latter finally drove me from the room. John Atkinson will be reviewing the Devialet D-Premier, which he says combines a highly linear class-A amplifier with a class-D output stage in a topology somewhat similar to the late Peter Walker's "current dumping" circuit, in a summer issue of Stereophile.

A tonic for the homesick: I entered the Audio Note room and saw, in the far corners, a pair of their reliable AN-E Spe/HE loudspeakers ($9000/pair): the very speakers I own and love. (This pair was veneered in a strikingly grained raw rosewood, while mine are done up in glossy yew.) There, too, was the brand new Audio Note CD 4.1x CD player ($12,000), my review sample of which arrived at my home on the very day I left for Montreal (this according to my wife). The sound in this room was so extraordinarily good—with especially fine bass reach and drama—that I feel compelled to tweak, slightly, the positions of my own AN-Es when I get home.

Tim Ryan of SimpliFi Audio demonstrated the always-enjoyable Gradient Helsinki loudspeaker ($6000/pair) in tandem with Gradient's SWS dipole bass speakers (also $6000/pair, outboard crossover included), to excellent effect. Ryan says the SWS, to whose development the late Peter Walker contributed, also works a treat with the Harbeth P3 and other smallish speakers from that line. (That's exactly how he said it, too.)

Kudos to Doug Graham of Naim for bringing so much new music to Plurison Audio's suite at SSI. Especially interesting was the French singer Jehro's Cantina Paradise—seen here on Doug's Apple iPad, running Naim Audio's free controller app—which I intend to buy as soon as I get home.

Musicians and harmonica players of Montreal, take heed: You are all fair game for a painter named Patrick Larrivee, whose unambiguously available work filled one hall of the Hilton during SSI 2012. Unfortunately, it was the hall that led to my room.