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"Marvins Room," the second track on side two of Drake's platinum-selling Take Care (LP, Cash Money/Universal Republic B0016280-01), is a veiled but nonetheless intriguing confession from a sensitive young man whose addictions to alcohol, sex, and fame have prevented him from developing any sort of healthy relationship. I've come to this conclusion after several happy hours of listening to the song from beginning to end, over and over again, while swapping between two very different interconnects: AudioQuest's Sidewinder ($65/1m pair, now discontinued) and Kimber Kable's time-honored PBJ ($110/1m pair).

London phono cartridges still carry the famous Decca name (even if only in parentheses), but they are now produced by John Wright, a precision engineer and ex-Decca employee. Wright (not to be confused with his IMF and more recent TDL loudspeaker-designer namesake) was assigned the rights in 1989 by Decca's Special Products division (footnote 1), when the company's new owner, Racal, decided that they didn't want to be involved in the manufacture of audio equipment. Wright worked for 20 years in Decca's phono-cartridge division, where he gained a wealth of experience. As well as manufacturing the current range of London cartridges, he is also responsible for servicing and overhauling older Decca models.

With New York City temperatures rising into the high 90s this afternoon, there’s no doubt that summer has officially arrived. And summer means great live music. Ask Stereophile’s editorial assistant, Ariel Bitran, who returned to the office all bronze-skinned and bleary-eyed after attending the recent Bonnaroo festival in Manchester, Tennessee. (He’s been wearing sandals ever since.) And, while I can understand and appreciate the desire to get away from the City during these summer months, I’m happy to know that New York will be home to another major outdoor music fest: The first Catalpa Festival will be held this July 28th and 29th, from 1 to 11pm, on Randall’s Island.

At Montreal's Salon Son et Image earlier this year, Peter McGrath of Wilson Audio (left in photo) found the pairing of the company's Sophia 3 loudspeaker ($18,000/pair) and VTL's MB-185 Series III, EL-34-based monoblocks ($15,000/pair) and VTL TL-5.5 preamp w/phono ($10,500) so felicitous that he proposed that he and VTL's Luke Manley (right in photo) revisit the coupling in the US. The opportunity arose at Music Lovers Audio in Berkeley, California, where a public afternoon demo on June 9, 2012 drew a large group of audiophiles who packed two large showrooms at the prestigious, well-appointed store.

It’s risky, to say the least, for John Coltrane’s son to take up the tenor and soprano saxophones as a profession, yet that’s what Ravi Coltrane has been doing for 25 years, 15 of them as a leader, and his latest album, Spirit Fiction (his first on the Blue Note label), is his triumph.

In March 2006 I wrote a very favorable review of Monitor Audio's Silver RS6 loudspeaker. At the time, I felt this $999/pair, small-footprint floorstander produced the greatest sound quality per dollar of any speaker I'd heard. Despite the proliferation of affordable speakers of increasing quality I've heard since then, I remained particularly impressed by the Silver RS6's clarity and lack of coloration and the speed of its midbass, all of which continued to exceed the performance of any other affordable speaker I've heard.

Even at its humblest, a 300B is a fine thing. And at its best, this classic triode output tube can deliver some of the most intoxicating music playback imaginable. If tubes are liquor, the 300B is clearly absinthe. (The 2A3 is Cognac, the 45 is Armagnac, the F2a is Tequila, and the EL34 is vodka—which is to say, you can make almost anything out of an EL34, from the repulsive to the sublime.)