FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
Silbatone's Western Electric System at High End Munich 2025
Sponsored: Symphonia Colors

LATEST ADDITIONS

Gershman Acoustics and VAC

In adjacent rooms, Gershman Acoustics from north of the border was showcasing the US show debut of its Idol loudspeakers ($2995/pair) and their flagship Black Swans ($45,000/pair). In both cases, Esoteric and Clearaudio sources, VAC electronics, Gershman Acoustics Hybrid speaker cable and unidentified interconnects, and Critical Mass Systems’ PXK racks ($1650/level) and Black Sapphire Filter System ($995/level) did the honors.
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April Music’s Premiers Shine

After a break of too many years, it was great to again encounter the fine sound of April Music. This time, the company was showcasing three premiers: the April Music Stello Ai700 integrated amplifier ($6500), Eximus S1 stereo amplifier ($2500), and Eximus DP1 192/24 DAC–Preamplifier ($3200). Together with a MacBook Pro running Amarra 2.4.2, Marten’s Coltrane soprano loudspeaker and Verrastar cabling, the system sounded gorgeous on soprano Renée Fleming’s rendition of Dvorák’s “Song to the Silver Moon.” Bass was impressively solid. The speaker needed more room to shine on the very top, but the midrange and bass produced by this chain were excellent.
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Jolida, Von Schweikert, and United Home Audio

What a difference the recording makes. When I first entered the room sponsored by Von Schweikert Audio, Jolida Inc. and United Home Audio, I was surprised to hear really bright sound from what I expected was a master tape played on a UHA Phase 11 open-reel deck ($22,000). But when we switched to another recording, Pat Metheny and Charlie Haden performing “Missouri Sky,” I truly enjoyed the beautiful midrange, edge-free highs, and big presentation of the system. “Very, very nice” was my ultimate assessment.
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Sonist–Snake River–Increcable (not a typo)

Having heard at last Randy Bankert’s 97dB-sensitive Sonist Concerto 4 floorstanding loudspeakers ($5895) with electronics and cabling that do them justice, I understand what beautiful sound they are capable of producing. Together with Snake River Audio interconnects and speaker cable ($1100–$2449 for a 3m bi-wire pair of speaker cables), whose outer shell shimmers like a snake slithering in the sun, the Hong Kong sourced Increcable TIA-280 80Wpc integrated amplifier, and a Cary CAD-306 Pro SACD/CD player, this system produced solid bass and beautiful highs.
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Amherst Audio

It was a pleasure to make the acquaintance of Bob Neill, a fellow graduate of Amherst College and proprietor of Amherst Audio in Amherst, MA. In a system headlined by JM Reynaud Abscissa loudspeakers ($5500/pair) bi-amped with Crimson 640E monoblock amplifiers ($6000/pair), and completed by the Crimson 710 solid-state preamplifier ($7000), Resolution Audio Cantata ($6500), and Crimson interconnects ($360/1m pair) and bi-wired speaker cable ($1070/8' pair), I enjoyed the kind of cultivated sound that discriminating listeners crave. True, there was some extra resonance in the treble that made piano sound a mite metallic, but the midrange beauty of Antonio Lysy’s cello on Yarlung Records’ recording, Antonio Lysy at the Broad, was very special.
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Your Final System

It’s a great name, isn’t it? Your Final System, based in Rochester, NY, is an Internet-based, high-end audio consulting firm specializing in custom USB 2.0 cables and computer music servers that will travel anywhere in the US to set up their music server. Unfortunately, shit happens. YFS’s McIntosh 275 amplifier died right as the show was getting underway, they hunted around until they located Jolida electronics that were fresh out of the box. Given the insufficient break-in time, it’s inappropriate to comment on the sound of a system that also included a customized YFS HD Ref 3 Digital Music Server/Transport ($13,000), Bricasti M1 DAC ($8600), Von Schweikert VR-44 Aktive loudspeakers ($26,000/pair), and YFS cabling (including their REF USB cables ($350 each).
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BorderPatrol Audio Electronics

Don’t be scared. No one was busy rounding up illegal aliens during RMAF, thank God, but the combination of the EXD model of the BorderPatrol S20 power amplifier, which came complete with two power supply units ($16,500); BorderPatrol Control Unit EXT1 preamp ($12,250); BorderPatrol DAC EXT1 ($9750); Living Voice Avatar OBX-RW loudspeakers (from $11,750/pair); Tent Labs transport; and Electrofluidics cabling was overdriving the room. There was a captivating illumination to my CD of the Beethoven Violin Concerto, but highs were wiry, and the bass boomed like nobody’s high-end audio business in troubled times. (A common factor in this part of the hotel.)
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Audio Note UK

Audio Note now handles its US sales directly from the UK. The sound in their room may have been warmer than neutral, but it had an immediacy that I enjoy. Here, the vividness of a classic recording of music from Glinka’s Ruslan and Ludmila struggled to triumph over the bass commentary from the adjacent room’s Göbell behemoth. When the booming subsided, Jennifer Warnes emerged triumphant.
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Ballad of the Red Glasses

My audiophile doppelganger, Music Hall’s Leland Leard, brought props to RMAF&#151a pair of bright, red glasses and a stuffed kitty cat doll&#151and asked attendees to smile for the camera.

I can’t help wonder whether one’s truest self is revealed when donning the bright, red glasses. Or, I suppose, while petting the kitty.

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