High End Munich: Audio Reference "Most Exclusive System Ever" with Wilson and D'Agostino
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Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
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Silbatone's Western Electric System at High End Munich 2025
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JL Audio Subwoofer Demo and Deep Dive at Audio Advice Live 2025

LATEST ADDITIONS

CEntrance: Making Computer Audio Better

According to Michael Goodman and Stacie Romashchenko, hands down the sweetest non-couple I encountered at AXPONA, CEntrance's business is upgrading computer audio sound. To that end, the team were showing CEntrance's premium DAC, headphone, speakers, and other components. Goodies include the CEntrance DACport, a portable 24/96 USB DAC and headphone amplifier ($299); the DACport LX ($249.95), a portable 24/96 USB DAC with line-level output; the DACmini; and DACmini PX ($999.95), an all-in-one 24/192 USB DAC, headphone amp and speaker amp. New to the list of products is the HiFi-M8 (699), a portable DAC/amp with internal battery that streams music from either your iPhone or laptop to headphones.
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Pro-Jecting Confidence

Booth exhibits occupied much of the open space on the Doubletree's mezzanine level. First on my path was Sumiko's, where Jaime Moreno declared the Pro-Ject Debut Carbon turntable ($399.99) "probably the best turntable available for under $400." The table, which can play either 33/45 or 33/78, comes complete with an Ortofon 2M Red cartridge, which costs $99 on its own. Best $498.99 turntable package for under $400?
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All Hail the KingSound

Roger DuNaier of KingSound had plenty of reason to smile. His King III full-range electrostatic loudspeakers ($12,000/pair) were sounding the best I've ever heard them. That means the music they produced sounded exceptionally smooth, warm, relaxed and inviting. How Roger managed this on the Mezzanine of the Doubletree, where rooms had a 10' air space above the ceiling that sucked the life of most active systems on the floor, is no mean feat.
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Hands Full

At the opening reception, AXPONA organizer Steve A Davis occasionally played double duty, retrieving drinks for folks as his wife Carmen dispensed drink tickets along with press and exhibitor badges. At one point, he even managed to hush the well-lubricated crowd long enough to pay homage to his late business partner, Andrew Spaulding, to whom he dedicated Chicago's first consumer audio show in 14 years.
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A Grand Opening

The night before AXPONA's official opening, people mobbed the reception for press and exhibitors. As audiophiles chattered, drank, and ate away—the food was a major notch above the oft-mediocre, and the bartenders quite busy—Chicago's Deep Blue Organ Trio turned up the heat. With Bobby Broom on guitar, Chris Foreman on organ and Greg Rockingham on drums, the heat was certainly welcome, given the freezing temperatures outside.
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Prepared for Chicago

You may wonder why this report of AXPONA Chicago lacks the usual exterior shot of the show venue. The answer is simple: It was too cold in Rosemont, where the Doubletree was located near Chicago O'Hare airport, for anyone from the "season-less" Bay Area to want to stand outside. Knowing that I would discover up to 9" of new snow on the ground and face sub-freezing temperatures at night, I went shopping before my trip for a hat tailor-made for Nanook of the North. What do you think Nanook would have thought of the "Made in China" label? Of course, John Atkinson, who's from a colder and wetter clime, will be posting a photo of the Doubletree hotel later in this report.
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Mancave Metal Speakers at Axpona

Greeting Showgoers at the Chicago Axpona was this steampunk-style MP.III speaker from Mancave Metal. With its glowing red LEDs around the tweeter and cut and welded steel construction, the MP.III is unlike any other speaker I've encountered. How did it sound? No idea, as it was on passive display.

Axpona runs today and tomorrow at the Doubletree by Hilton Hotel in Chicago suburb Rosemont (5460 North River Road) near O'Hare Airport.

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Spendor S3/5R2 loudspeaker

The Spendor S3/5R2 loudspeaker reminds me of Art Dudley. My friendship with Art began more than 25 years ago, long before either of us joined Stereophile. Frequently, we would sit down to discuss music, guitars, and audiophiles. Art didn't have much patience for a certain category of audiophile who would evaluate an audio component based on how many points on their sonic checklists they could tick off. Image specificity? Check. Soundstage depth? Check. Lower-bass extension? Check.
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