LATEST ADDITIONS

Of all the speakers I've heard through the years, the $3000 ProAc Response 2 (footnote 1) is definitely one of my all-time faves. One of the few high-end speakers at any price that sounds equally at home pumping out Prong as it does Puccini, the Response 2 blew me away with its incredible musicality and just plain "rightness." The Response 2 doesn't call strict attention to any one area of technical achievement, like so many Audiophile-Approved jobs, but just makes music so naturally and unforcedly that I hesitate, even considering its remarkable performance, to call it an "audiophile" loudspeaker. Yah, I dig the Response 2! So last year when ProAc introduced the Studio 100, a new affordable version of the Response 2, I got excited.

I know, I know—"NOT ANOTHER $%#$ SONUS $%#$# FABER REVIEW IN $%#$# Stereophile!!" In just the past two years or so alone we've spilled a pretty fat bottle of ink on this Italian speaker line: Martin Colloms reviewed the $12,500/pair Extrema (Vol.15 No.6) and $9000/pair Guarneri Homage (Vol.17 No.7); Jack English covered the $4500/pair Electa Amator (Vol.15 No.10); and Larry Greenhill wrote about the $1800/pair Minima FM2 (Vol.16 No.4). That's a lotta jizzatoni, so let me tell you right off the bat that when I called Italy a few months ago, speakers were the last thing on my mind.

I wanted shoes.

"You see that empty space?" says Willie Nile, motioning toward a lot between buildings on Bleecker Street, an impish Irish grin flickering across his face. "They haven't built anything there yet because Anna Wintour lives around the corner. And that red-brick house over there, the one with the white door? That's where Dylan lived. I used to see Bob around the neighborhood now and again."

I wear polo shirts daily. Polo shirts keep things simple. Seven-time French Grand Slam tennis champion René Lacoste invented the “tennis shirt” in 1929 as an alternative to the traditional player’s outfit of white button-down and tie. The easy-to-wear “tennis shirt” rapidly expanded as official garb for polo players, golfers, and Homer Simpsons of America. Like the polo, the Logitech|UE 4000 on-ear headphone ($99.99) is accommodating to all in both fit and acoustic profile.

"Sensational" is an adjective far overplayed in "fine audio" circles (to borrow a phrase that Bob Levi of T.H.E. Show Newport Beach has been using). But I know of no better word to describe the jaw-dropping sound of a dCS/Boulder/Sony set-up at a May 4 demo in the Theater 2 room of Music Lovers Audio, San Francisco. With the assistance of a full complement of Transparent Audio cabling, save for an all-important active USB cable from Synergistic Research, the MacBook Pro/Audirvana-source system, featuring the Sony SS-AR1 speakers that so impressed Kal Rubinson in July 2011 was nothing short of sensational.

For me, the demo began when John R. Quick of Tempo Sales, distributor of digital equipment from UK-based dCS (Data Conversion Systems, Ltd.), ran up to me upon my arrival. Enthusiastically greeting me and my two remarkably well-behaved terrier mixes, Daisy Mae Doven and Leo Gleesun, he declared, "Jason, I have great news for you."

"I can hardly keep hold of the leashes, John," I said, quivering with anticipation. "Tell me, please, before I lose my grip."

"The new Synergistic Research USB Active SE cable blows every other USB cable I've tried out of the water. You've got to hear this thing."

In today’s previous entry, I mentioned that Standish/Carlyon’s Deleted Scenes reminded me of Peter Gabriel’s early solo work. Fans of FX’s outstanding TV series, “The Americans,” will have noted that the season’s finale made fine use of Gabriel’s hit single “Games Without Frontiers.” That is, if those fans were already familiar with the song. I was not.

Conrad Standish and Tom Carlyon are formerly of the Australian noir-rock trio Devastations. While that band’s thoughtful, honest work could bring a listener to tears, Deleted Scenes, Standish and Carlyon’s debut as a duo, is much more interested in physical pleasures.