Where Measurements and Performance Meet featuring Andrew Jones
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LATEST ADDITIONS

Live at Leedh

Despite its unfortunate physical resemblance to an electric shoe-shine machine, the Leedh E loudspeaker sounded open and airy during my visit to the room sponsored by Conceptas Sound and Engineering. I was prevented, by the language barrier, from learning anything about the E or its companion Lua brand electronics, including prices; one of two people running the room handed me some information sheets, but the other person snatched them away. I requested and was given more, but my moment of triumph was dashed when I saw that all of the literature was in French. All I have deciphered from it so far is that the Leedh E weighs less than “a dozen kilos” (I think), and one of its drivers is 17cm in diameter.
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Linn at large

Montreal retailer Audio Club presented a simple, effective all-Linn system, comprising the Ethernet-friendly Linn Akurate DSM preamplifier/digital player ($9300) and Akurate 2200 power amplifier ($6300), seen above, and a pair of Linn Majik Isobarik loudspeakers ($6300/pair). An outboard file-storage device, of indeterminate make and model, was tucked away underneath the credenza. Unfortunate room dimensions were surely responsible for the trace of bass boominess I heard, yet the Linn system was compelling and listenable, nonetheless.
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Raidho and Rowland

I thought the Raidho D-1 loudspeaker ($28,000/pair, including stands), was among the most interesting and musically impressive new products at SSI. Raidho, a Danish company known for their work with ultra-lightweight ceramics, has developed a process for bonding to their speaker diaphragms a thin coat of industrial diamond, conferring even greater stiffness and freedom from unwanted resonances. Paired with a Jeff Rowland Aeris D/A converter and Jeff Rowland 625 power amplifier, the Raidhos were impressive on a variety of material. We’ve all heard demonstrations where we came away saying, “I can’t believe they got so much bass out of such little loudspeakers,” but in terms of the sheer quality and scale of that bass, the Raidho/Rowland combination was on another plane altogether.
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Lars at large

Lars Kristensen of Denmark’s Raidho Acoustics, who has yet to overcome his shyness, presented the Raidho/Rowland system with all of the good cheer and powers of persuasion for which he is known and admired in our industry.
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Mac'n'Cabasse

AudioShop, the Canadian distributor for Cabasse loudspeakers, demonstrated the interesting combination of Cabasse loudspeakers with McIntosh electronics, focusing in particular on the latter company’s model 601 monoblock power amplifiers ($11,500/pair), driven directly by the MCD 1100 CD player ($10,000). The loudspeakers seen here (which, I’m told, sold for $16,000 per pair in passive form) sounded impressively punchy, but, with all due respect, this system was being played at a volume level I considered both uncomfortable and unrealistically loud, so I didn’t linger long.
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Vividly Lux

In one of several rooms sponsored by Montreal’s Coup de Foudre, A href="http://www.stereophile.com/content/gift-flower-garden">Philip O’ Hanlon demonstrated a system comprising a Luxman PD-171 turntable/tonearm ($6400) with Brinkmann P1 phono cartridge ($2700), Luxman DA-06 DSD D/A converter ($6000), Luxman L550AX integrated amplifier ($5400), and Vivid B1 loudspeakers ($15,000/pair), with Cardas cables throughout. (The computer-audio source was an old MacBook running Audirvana playback software.) Not to take away from the goodness of the other gear, but I was once again mightily impressed by the manner in which the Vivid loudspeakers, in spite of looking like surprised Cyclopian aliens, delivered music with such human warmth and touch. (Lou Donaldson’s organ on “Alligator Boogaloo” sounded especially fine.)
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PMC at Coup de Foudre

Another Coup de Foudre room offered a system built around the curiously named but thoroughly engaging Twenty 23 loudspeakers ($4389/pair) from PMC—which, I’m told, stands for professional monitor company. The amplifier in use was the less inscrutably named Integrated Amplifier from Brinkmann ($7499), while the source was the Unico CD Primo CD player ($1900). On a vocal number by Andrea Bocelli, percussion instruments sounded a bit compressed—that might be the fault of the recording, for all I know—but I heard a great deal of realistic texture and color from this detailed but not at all light-sounding system.
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Cannonball, Miles, and ASW

In yet another Coup de Foudre room, a Clearaudio record player acted as source for a Unico Nuovo integrated amplifier ($2400, with phono section), itself driving a pair of ASW 404 loudspeakers ($2000/pair). This relatively affordable system loaded the room nicely, and sounded hypnotically good on “Autumn Leaves” from the Cannonball Adderley album Somethin’ Else.
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Night Sky Courtesy of Blue Circle Audio

Blue Circle Audio first came to prominence (or perhaps notoriety) with whimsical products like an amplifier in a shoe and a preamplifier in a purse. Although the Music Pumps and the Music Purse are still available, according to their website , Blue Circle brought more conventional products to SSI 2013, and their demo room provided one of the show's most relaxing listening experiences. There is just something very soothing about a night sky as a background to music—and the music presented by the system (BC507 DAC, $2600, BC309 preamp, $8500, BC1022 amp, $7000, BC6040 power line conditioner, $4000, BIS Audio Maestro cabling, $9500, and Ledoux Acoustique DIVA speakers and GAiA subs, $21,000) showed that Blue Circle does not need quirky products to get our attention at SSI. The SHow continues today (Saturday) and tomorrow.
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