Sonus faber Announces Amati Supreme Speaker

FiiO M27 Headphone DAC Amplifier Released

Audio Advice Acquires The Sound Room

LATEST ADDITIONS

CAS 2013

CAS 2013: Day One, Poking Round the Lobby

Jason Victor Serinus Aug 13, 2013

JIB cabling, long linked to its factory in Berlin, has now birthed a distinct US branch. Aptly named JIB-USA, it's located in Fremont, CA. At CAS, Allen Ong and his son displayed, among other models, the company's new DSP-001 speaker cable ($7150/2.5m pair). Composed of UP-OCC that is cryogenically treated, insulated with Teflon, and terminated with rhodium connectors, the cable made its silent show premiere.

CAS 2013

CAS 2013 Gets Underway

Jason Victor Serinus Aug 13, 2013

Ensconced in the third hotel in its four-year history, the three-day California Audio Show opened on August 9, 2013 in the five-floor Westin Hotel in Millbrae, CA. Otherwise known as the Westin SFO, the hotel resides on One Old Bayshore Highway, a hefty stone's throw from San Francisco Bay, directly across the water from the airport runway where Asiana Flight 214 crashed on July 6.

Interviews Think Pieces

Music Matters 2013—John Atkinson at ListenUp, Denver

Stereophile Staff Aug 09, 2013

In April 2013, Stereophile editor John Atkinson took part in two Music Matters evenings held by Colorado retailer ListenUp. JA took time off from the formal presentations to talk to ListenUp's George McClure about how we perceive music and about what matters most when we record and playback music.

Think Pieces

Nothing is Too Wonderful to be True

John Atkinson Aug 08, 2013

"Nothing is too wonderful to be true, if it be consistent with the laws of nature . . ."Michael Faraday

"When a true genius appears in the world you may know him by this sign: that all the dunces are in confederacy against him."Jonathan Swift

The Fifth Element

The Fifth Element #80

John Marks Aug 08, 2013

First, two noteworthy CDs. San Francisco's Cypress String Quartet, whose set of Beethoven's late quartets and high-resolution downloads I praised in the April issue, is back with a new CD (Avie AV2275) that explores their musical roots.

Music and Recording Features Interviews

Terence Blanchard: Animal Magnetism

Robert Baird Aug 08, 2013

Down deepest, beneath everything he does, underlying all the facets of his ever-expanding career in music, Terence Blanchard is still a New Orleans guy. Question that and you can hear his dander rise.

Headphone Reviews The Entry Level

The Entry Level #32

Stephen Mejias Aug 08, 2013

Even before I'd really listened to PSB's Alpha PS1 powered desktop speakers (see last month's column), I suspected that I'd like them: They're affordable, attractive, small enough to actually fit on my desktop, and designed and manufactured by a true high-end audio company. Besides all that, the PS1s had been highly recommended by a friend, AudioStream.com's Michael Lavorgna. I only needed the speakers to sound good in my home. And they didclean, clear, detailed, and dynamic, with a surprisingly big and bold overall sound.

Stephen Mejias

Record Sale at The Rodgers and Hammerstein Archives of Recorded Sound

Stephen Mejias Aug 08, 2013

Gulp.

All the details, from the website of the New York Public Library, with critical commentary from me:

Stephen Mejias

Moderat: II

Stephen Mejias Aug 07, 2013

Moderat is made of Apparat’s Sascha Ring and Modeselektor’s Gernot Bronsert and Sebastian Szary; as the album title suggests, II is their sophomore release. This is no slump, however, and the music these men make together is seamless and true: It does not sound like two distinct visions forced together, but instead reflects a natural progression of shared ideas, a tangle of conflicts, tensions, and parallels brought together to create something exhilarating.

Fred Kaplan

That's It!

Fred Kaplan Aug 07, 2013

That's It! (Sony Legacy) is a hell of a fun album: the Preservation Hall Jazz Band, the treasure of New Orleans music, wailing with cylinders wide open.

Purists might protest. All the songs on this record are new (a first for the PHJB), and the solos tend more toward R&B riffs than trad-jazz polyphony. In short, the vibe seems to pulse more from the rowdy late-night clubs up on Frenchman Street than the band's usual stately sanctuary in the heart of the French Quarter.