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On January 23, 2017, telecoms company Sprint acquired 33% of the Tidal music streaming service. According to the press release jointly issued by the two companies, the deal guarantees that Tidal, which now claims a catalog of over 42.5 million songs and 140,000 "high quality videos," will become available to Sprint's 45,000,000 retail customers, who will gain "unlimited access to exclusive artist content not available anywhere else."

Even if you think you’ve heard Ray do "Georgia" one too many times, this version will surprise— it’s really something special.

Register to win a pair of AudioQuest NightOwl Carbon Headphones ($699.00 Retail Value) we are giving away.

According to the company:

"A direct descendant of AudioQuest's award-winning NightHawk headphone, the closed-back NightOwl Carbon replaces its predecessor's biomimetic sound-diffusing grille with an intelligently designed aperiodic damping system for excellent isolation of external noise, ensuring privacy for the listener and those nearby."

[This Sweepstakes is now closed.]

Right now, I swear, Schiit Audio's Mike Moffat and Jason Stoddard are sitting there in California, smugly smirking at me and John Atkinson. While JA was struggling to properly measure Schiit's Ragnarok (Fate of the Gods) integrated amplifier for my review in the May 2016 issue, I sent Moffat an e-mail: "Are you smiling?"

"Yup," he replied. He'd known in advance that the Ragnarok wouldn't look good on standard tests. But he hadn't warned us: The Ragnarok's output-stage bias program responds to music sources, not signal generators.

"What are your thoughts on this year's CES?": A multi-dimensional question that means many different things to the many different people who share the high-end audio realm. For my first attendance at the annual Consumer Electronics Show, I had a mission: to compile answers to this complex question and fit my findings on a visual medium, a time capsule of sorts. Is this the last year of CES? Was the low attendance in the high-end audio segment at the Venetian just a temporary lull? Or could it be a turning point for the high-end audio industry? Whatever might happen, 2017 struck me as a pivotal year for CES, and a show that begged to be captured.

Last July and September I made two loudspeaker-related road trips: first to Rockport Technologies, in Maine, to audition their new Lyra; and then to high-end dealer-distributor GTT Audio, in deepest, darkest New Jersey, to audition YG Acoustics' new Sonja XV. Both speakers offer innovative, proprietary drive-units and heroic audio engineering, especially regarding their enclosures, which are constructed from aluminum. Both experiences took place in superbly well-designed and optimized listening rooms with front-end and amplification components that were beyond reproach. The sound quality offered by the Rockport and YGA speakers was simply superb, both stepping entirely out of the way to offer maximum communion with the music.

"Great" is not an adjective to be invoked lightly. But once you hear mezzo-soprano Jamie Barton hold forth on her debut solo album, All Who Wander (Delos)—available in 24/96 from HDTracks, which features songs by Mahler, Sibelius, and Dvorák, you will harbor no doubt that she is one of the great vocal artists of our era.