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The remarkably relaxed, smiling faces of AXPONA Tradeshow Coordinator Jordan Brereton (left) and VP/Event Director Liz Miller (right) say it all. Photographed after show's close, Jordan and Liz were poised to announce that under the leadership of JD Events Founder and CEO Joel Davis, their team of 8 had sold 8134 tickets—up 21% from 2017—and welcomed 5718 unique visitors to the largest consumer audio show in the United States. The number of tickets sold to students ages 15-25 increased by 27%. This to a show with 165 active exhibit rooms and an over-15,000 square foot exhibit hall that hosted booths from 96 companies, half of which were part of the Ear Gear Expo.

In the first of the videos we shot at AXPONA 2018, Herb Reichert takes you along with him in a brief exploration of the Expo Hall, featuring Gayle Sanders' Lamborghini, Todd Garfinkle of M•A Recordings, a crowd of headphone wearers, and a mysterious abundance of lab coats.

Lunch? A quick donut and a Tall Café Mocha at the Renaissance Hotel's Starbucks and I was ready to hit the remaining floors on the 16th floor. "These are not your father's Ohms!" read the poster in the HHR Exotic Speakers room. Looked like 'em to me, but I was quickly enlightened.

I hit the ground running Sunday morning, with many rooms to visit but only six hours to do so. I started with the 16th floor suite featuring horn speakers from German company Avantgarde. Pink Floyd's "Another Brick in the wall" was playing on the humongous, four-way Trio XD horn system ($150,000 with four bass horns) and the kick drum did indeed kick me in the chest. (Peak spls, measured with the Studio Six iPhone app, reached 102.3dBC, slow.) Rest of the system included Esoteric source and amplification, Transparent cabling, and an HRS racks. There weren't any colorations that could be laid at the feet of the horns, though voices were projected forward in the soundstage. An extraordinary sound and a great way to start the day.

The final room I visited on the 15th floor turned out to be one of the best. Thanks in no small part to Jeff Joseph and Lucien Pichette's joint set-up acumen, plus a little help from what Jeff calls the "audio gods," a recording of the great Ella singing, on tape, Johnny Mercer and Richard Whiting's "Too Marvelous for Words" was a total delight.

I started my second day at the Chicago show in the Dynaudio room, where the Danish loudspeaker company's Special 40 stand-mounts ($3000/pair) were being driven by an Octave 80SE integrated amplifier ($10,500) with its Super Black Box external power supply ($3000) . . . this dem illustrated how matching a relatively small speaker to a smallish room can produce optimal and excellent sound quality.

"The core audiophiles, they are aging," the collective subconscious of exhibitors on the 15th floor seemed to say. "Since they're attempting to bask in the glow of their golden years, they don't want to hear anything in their sonic sanctuaries that might expose them to the harsh realities of the present day. Hence, we shall warm up the sound, add a few tablespoons of sugar, and ensure that everything sounds as safe, warm, and cuddly as those TV commercials for assisted living communities."