Toronto Audiofest 2018 Starts Today
And then something happened.
And then something happened.
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Why name this short digital download or streamingonly release of a live San Francisco Symphony performance from 2017its native 24/96 PCM broadcast sound is a notch lower than the best-recorded titles in SFS Media's series of Davies Symphony Hall broadcasts as our "Recording of the Month"? Because, as the centennial of the birth of Leonard Bernstein (19181990) draws to a close, this new recording of his eight Arias and Barcarolles from conductor Michael Tilson Thomaswhom Bernstein asked to play piano alongside him when the original version of the cycle, for four voices and piano four-hands, premiered in New York City in 1988is definitive and essential listening.
Sacks will walk listeners through some of his multiaward-winning Channel Classics DSD recordings as well as some of the most popular and noteworthy DSD tracks from other labels. From Analog Tape Transfers Direct-to-DSD by the team at 2xHD-Mastering, to the unedited/unprocessed one-take DSD256 recordings from labels such as Eudora Records and Just Listen Records. Samples in DSD are available for Free at the Native DSD Music Store.
But conspicuously missing from my audio menagerie has been a fast, neutral, 100Wpc tube amp to put more pop, fire, and maybe a little glow, into the Harbeth M30.2s.
This is undoubtedly the best London Symphony that's been committed to stereo to date, and I wouldn't be surprised if it held top place for years to come. I can find nothing to criticize about the performance, and the recording is awe-inspiringrich, warm and natural, with some phenomenally low bass and very wide dynamic range, yet without the slightest audible trace of breakup during crescendos.