Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Marantz Grand Horizon Wireless Speaker at Audio Advice Live 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Joseph Audio Loudspeakers, Unison Research DAC and Amplification, Balanced Audio Technology Phono Stage, Feickert Turntable, Schick Tonearm, My Sonic Lab Cartridge

On the last day of the show, loudspeaker designer Jeff Joseph showed no signs of slowing down. Remote in hand, he bounced around his room like the proverbial battery bunny, welcoming attendees, switching his rig between analog and digital playback, and generally smiling his way through it all.
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MC Audiotech Forty-10 Loudspeakers, VPI HW-40 Turntable, Luminous Audio Arion Phono Preamp, Pass Labs XP22 preamp, Wolf Audio Alpha 3 Music Server, PS Audio DirectStream DAC, Parasound A23 Amplifier, Symposium Foundation Rack

Two friends whose taste and hearing I respect—and who visited every room at this show—told me they thought the $35K/pair MC Audiotech Forty-10 loudspeakers made the best sound at CAF. No question, these almost five-feet tall decorator-friendly midcentury-modern-looking beauties sounded even better they look, and they look very nice.
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Luminous Audio and the Pure Audio Project

I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?
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