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What sort of audiophile are you?

I think of myself as a critical listener, perhaps a purist, definitely an enthusiast, of music and audio, who enjoys both the journey and the nuts and bolts. I like my hi-fi direct, simple, and personal. Also, I guess I'm a little bit old-school: tube-driven amplifiers with point-to-point wiring; vinyl, preferably early pressings; spun with belt-drive or idler-drive turntables. I listen to digital audio, too—and when I do, I prefer nonoversampling DACs. I like high-efficiency, high-sensitivity floorstanding loudspeakers and prefer them horn-loaded.

For his review of the Pink Faun 2.16x music server in the December 2020 issue, Kal Rubinson needed to use a Linux-compatible multichannel D/A processor. A little Googling uncovered the 8-channel dac8 PRO from Okto Research in the Czech Republic, so Kal borrowed one from the manufacturer. He found it to be a great-sounding DAC with an intriguing feature set. He purchased the sample.

I am certain the quality of life I live is determined by two factors: who and what I give my attentions to, and my ability to observe all that I encounter with an open mind. This approach to living has served me well—especially during this review of the Benchmark Media Systems HPA4 headphone amplifier ($2999).

Newvelle Records Season Five
Pablo Ablanedo, Dave Douglas, Sullivan Fortner, Elan Mehler, OWL Trio, Rufus Reid, Carmen Staaf, Patrick Zimmierli
Newvelle Records NV025–30 (6 LP) 2020. Reviewed from 16/44.1 AIFF files. Elan Mehler, prod.; Marc Urselli, eng.
Performance ****
Sonics ****½

If Newvelle Records is any indication, jazz's future looks bright. Since 2015, the New York label has produced four series of artist-curated, all-analog, subscription-only box sets of vinyl records with superb fidelity and top-tier musicians performing original material. Highlights included pianist (!) Jack DeJohnette's Return, guitarist Gilad Hekselman's Eyes of the World, bassist John Patitucci's Irmãos de Fé, tenor saxophonist Noah Preminger's Preminger Plays Preminger, and guitarist Lionel Loueke's Close Your Eyes.

In my As We See It column in the January 2021 Stereophile, I wrote about stories we tell ourselves to make our lives and music better—personal stories like the one about my relationship to my Thorens TD-124 turntable, or about hanging out with your dad (or mom) listening to records. Also hi-fi stories like the ones about the types of audio components we prefer—analog, digital, tubed, solid state—and how they sound. "Stories deepen our relationships," I wrote, "including our relationships with our audio systems and the music they make."

For jazz fans, a new batch of releases in Blue Note's Tone Poet series—vinyl reissues remastered with care and cut from the original analog tapes—is reason for celebration. Fortunately, the batches come frequently. The latest releases, as I write in late October 2020, are very solid, musically and sonically.

Coincident stereo miking (footnote 1) has two advantages and one disadvantage. Its advantages are that it gives the most stable, specific imaging of any mike technique, and its outputs can be summed for mono reproduction without loss of quality. Its disadvantage is that, in most of its configurations, it tends to produce an overly narrow, shallow soundstage.