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First introduced at a show in August 2019, not long before COVID-related supply shortages put a major damper on new product releases, Zellaton's 3-way Plural Evo loudspeaker (€69,950/pair) is finally available. One main goal of the design, according to company president Michael Schwab, is to minimize the impact of the sound of the speaker's materials on the music.

For years, David Chesky has kept me abreast of developments and updates to Princeton Professor Edgar Y. Choueiri's BACCH-SP Adio System. Happily, the word is out. When I entered the room, none other than Stereophile's Alex Halberstadt was sitting in the prime seat, receiving all the benefits of the fully-loaded BACCH-SP system ($37,780).

Of the fraction of rooms and booths I was able to cover at Munich High End 2023—the "I wish I could have" list is at least as long as that of the exhibits I enjoyed—Rockport Technologies' triumphant meeting of its Orion loudspeaker ($133,000/pair–$143,000/pair with the custom finish shown) with Absolare's Altius phonostage ($52,000), Eternum preamplifier ($85,000), and Hybrid Altius monoblocks ($120,000/pair) was an unqualified triumph. There was, of course, far more in the system than those four components, but what's most important is the effect of the music on visitors. As Absolare's Kerem Küçükaslan cued up "You Look Good to Me" on a classic Oscar Peterson LP, everyone sat at rap attention. Ella and Satchmo's "Isn't it a Lovely Day" sounded about as warm, luscious, liquid, musical, and dreamy (as in "If this is a dream, please don't wake me up") as it gets.

Despite the ton of equipment from Burmester and others shown in the photo, the YG Acoustics set-up I heard involved just two speakers and a single control module. That's because the company's Vantage 3 Live active loudspeaker system ($65,600/pair), which contains amplification by Bel Canto as well as optimized DSP, a digital preamplifier, and a phono stage, is pretty much all-in-one.

Quite the well-conceived display, don't you think? I have to say the same about the sound, one of whose high points, on Gabriel Rios's "Swing Low," was a wonderfully large and captivating soundstage.

Grimm's new MU2 music streamer/DAC/analog preamplifier ($18,000), which will start shipping in October or November, is already back-ordered.

There were several reasons why I was extremely eager to hear this system. First and foremost, given the high price of Wadax digital gear, I wanted to get a sense of what the Wadax Atlantis Reference DAC ($166,420), Wadax Atlantis Reference Server ($68,800), Wadax Atlantis Reference Transport $115,000), and Wadax Atlantis Reference PSU ($52,700) might sound like in the context of the MOC's challenging acoustics. Second, while I don't have good sense of the ultimate potential of Magico M6 loudspeakers ($185,000/pair), which I haven't heard as many times as I hope I will, I certainly know the sound of the D'Agostino Momentum HD preamp ($42,500) and D'Agostino Momentum M400 MxV monoblocks ($79,950/pair), both of which grace my reference system. So, with a big thumbs up to Wadax for having the smarts to go head-to-head with dCS by using the same electronics they're often paired with, and for also now offering an optional higher-priced all-black finish which greatly alters their gear's appearance, I had to listen.

Before offering a few modest observations about the music, life, and times of David Lindley, a man who never met a stringed instrument he couldn't master and who died on March 3, I'll make two points, both somewhat contrarian.

In the flood of obituaries and tributes that have appeared since his death at age 78, one reads ad nauseam that Lindley, a lifelong Los Angeles resident whose most productive years were the 1970s and '80s, "help[ed] shape the sound of West Coast soft rock," as Guitar Player's writer put it. While Lindley's impact on Jackson Browne, Linda Ronstadt, and other Southern California soft-rockers was indeed considerable, he was equally, if not more, a firebrand, especially on his favorite instrument, the lap-steel guitar, which he essentially introduced to mainstream rock.