LATEST ADDITIONS

Jay Rein (right) and Chad Stelly (left) of Bluebird Music Limited presented multiple debuts and US firsts at AXPONA, including a chance to meet SME CEO Stuart McNeilis (center), on hand for the first American spin of his newish SME Model 60 turntable ($71,900; Stereophile review by Michael Trei forthcoming).

Cambridge Audio CEO Stuart George arrived at AXPONA for the debut of the Cambridge Audio MXN10 streamer ($499). The faithful British brand's two hotel rooms were fairly jumping with interested "punters," I think that's a malleable Brit term one could use to describe audiophiles eager to hear more of this legacy brand that has for decades offered incredible value.

I admit, I have my preferred rooms, my biases, at shows. Hey, I'm only human! One such joint is the Volti Audio, Border Patrol, Triode Wire Labs room commandeered, respectively, by Greg Roberts (right), Gary Dewes (left), and Triode Pete Grzybowski (center). I favorably reviewed one of Gary's SET Border Patrol amps, and use Greg and Pete's components in my system. So, when I hit their AXPONA room and saw a bust of Beethoven staring glumly at the rig, I asked "Who's the new guy?"

Schofield, formerly of Krell, produced a bevy of smart gear (smart as in cool and hip, not Internet of Things smart) to bear on the AXPONA audience. Terry Medalen's Primare electronics from Sweden, including the Primare PRE 35 preamplifier ($5000, reviewed by Sasha Matson in April 2023), Primare A35.8 Amp, 150Wpc into 8 ohms, ($5500, reviewed by Kal Rubinson in November 2022), and Primare DD 35 Transport ($3800) relaxed my internal grouchy beast with their smooth sound and refined sonic beauty.

There's nothing quite like starting off the show with a million dollar system. Holding court in the huge Schaumburg D partition of the Convention Center, the imposing Estelon Extreme Mk II bi-amped loudspeakers ($269,000/pair) received their juice from two Vitus Audio MP-S201 Mk I stereo amplifiers ($230,000/total) via Crystal Cable Art Series cabling ($330,000). But they were just the start of a system where each amplifier required three power cables, put out up to 500W/pc into 8 ohms and 1000W into 4, and weighed more than I can type without getting back spasms. (Okay: Each weighs 125kg. I don't dare convert that to lb.)

Two months ago, at the Tampa audio show, I got better acquainted with Acora Acoustics and its flagship loudspeaker, the VRC. They made some of the most impressive music at the expo—as they should for a price north of 200 grand.

For 15% of that small fortune, could an Acora speaker further down the line, like the SRC-1 ($35,000/pair), keep pace? I found out in Mimic Audio's dealer room on the hotel's 12th floor, where a high-level UN meeting of sorts was going on, with brands from four countries.

The Analog Matters room, presented by Big Ear Consulting LLC and original AXPONA cofounder Steve Davis, debuted a variety of components, including the return of (wait for it) Plinius!