April 2012 Record Reviews: Streamed Selections
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Boy, do I love it when a manufacturer builds a great product and then sticks with it. I've been listening to, and recommending the Denon AH-D2000, AH-D5000, and AH-D7000 headphones for years. I welcomed the chance to get some fresh samples of these fine cans from Denon, and I was double happy to find they've gotten even better over the years.
Even better? Yes! It does appear they've made some improvements over time. Let's have a look...
It was New Year's Eve, and our large group of friends occupied the entire ground floor of our favorite restaurant, Jersey City's Satis Bistro. We had already been presented with a beautiful buffet of meats, cheeses, and breads, and now more appetizers were being served. A waiter placed before me the world's most delicious date, stuffed with gorgonzola, wrapped in bacon, and baked to perfection. I immediately stabbed it with my fork and popped it in my happy mouth. I chewed, savored, silently wished that I could make this moment last forever, and contemplated a way to answer Nicole's question. From her tone, I knew that she was only looking for an opportunity to mock my weakness for buying new LPs. I've grown used to it. Nicole is nothing if not a ballbuster. I decided to go with the truth.
One night in 1942, Billie Holiday was singing at a Los Angeles nightclub. Between sets, she crossed the street to have a drink with Norman Granz. She was in tears because some black friends who had come to hear her had been turned away.
As we reported below, Manhattan retailers Lyric and Stereo Exchange decided not to participate in the New York Audio & AV Show, instead holding standalone events at their stores. There are valid reasons for this decision, not the least of which is that the manufacturers are spared the crapshoot of setting up their systems in rooms with unknowable acoustics. By contrast, every dem room at a retailer is, or should be, an optimized machine for making audio components sound at their best, which surely is the point. However, if every retailer decided to do this, there would be insufficient support for the main show to take place. There would thus be no shows at all, an example of what has been called the "Tragedy of the Commons."
Props, therefore, to Innovative Audio, who both participated in the NY Audio & AV Show with passive and active rooms, but who also invited Showgoers to their premises after the Show closed Friday and Saturday evenings to take a listen under more controlled conditions.
The early bird catches the worm, but the well-warmed playback system is another thing altogether: So it was when I visited New York’s Stereo Exchange on the morning of April 13, mere minutes after they opened their doors for the day. Nevertheless, the ever-genial David Wasserman and his staff hit the ground running, cheek-to-jowl with eager customers and representatives from 11 equipment suppliers, whose presence had at least something to do with the New York Audio and AV Show.
As Ariel discussed last week, Lyric was one of two premier NYC dealers—the other was Stereo Exchange—that opted against participating in the New York Audio & AV Show, and instead held their own events.
Because both Lyric and Stereo Exchange are successful operations, run by smart people, we figured they must have good reasons for doing things their own way. But, even as the weekend approached, those reasons weren’t fully clear. Were financial obstacles impossible to overcome? Were issues of logistics too much of a burden? Had there been some sort of communication breakdown between the dealers and the show’s organizers? Did it simply make little sense for Lyric and Stereo Exchange to participate, or were they just being hard-nosed, stubborn, elitist?
Perhaps we would find some answers inside.