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That's It! (Sony Legacy) is a hell of a fun album: the Preservation Hall Jazz Band, the treasure of New Orleans music, wailing with cylinders wide open.

Purists might protest. All the songs on this record are new (a first for the PHJB), and the solos tend more toward R&B riffs than trad-jazz polyphony. In short, the vibe seems to pulse more from the rowdy late-night clubs up on Frenchman Street than the band's usual stately sanctuary in the heart of the French Quarter.

Matana Roberts is a rare talent&#151a saxophonist, storyteller, and singer with a distinct voice and powerful vision. Her 2011 release, Coin Coin, Chapter One: Gens de couleur libres, shocked me with its uncompromising combination of beauty and violence. Listening to it&#151anyhow, anywhere&#151is a singularly moving experience. My complete review of Coin Coin, Chapter One appeared in Stereophile’s November 2011 issue and I later named it one of my favorite records of that year. It sticks with me still as one of the most thrilling and seemingly important records I’ve ever heard.

Today, Constellation Records announced Roberts’ follow-up, Coin Coin, Chapter Two: Mississippi Moonchile, to be released on October 1.

The fourth annual California Audio Show is poised to get underway August 9–11 in a new venue, the Westin San Francisco Airport (Westin SFO), in Millbrae, CA. The only West Coast consumer fine-audio show between Newport Beach (in very southern California) and Denver, CAS4 is expected to draw close to 1000 audiophiles per day to listen to systems in at least 41 sound rooms, 16 of which are of medium or large size.

We're always happy to spread the love of gear (and music) here at the good ole' STP. STP's one of our in office abbreviation for Stereophile. Occasionally, it's STRP. Sometimes it's, "We have to do another issue?", but seriously, we do enjoy making audiophiles happy. It's one of the best parts of the job.

Writing is easy. See? I just did it. Three whole sentences, written between breakfast and lunch. (I had to pause and think about one of them.) Payday, here I come.

It seems I'm always reviewing an integrated amplifier from Creek Audio. It started in the late 1980s, when I fell in love with the capabilities of inexpensive, well-designed audio equipment, sparked by the spectacular sound of a pair of Celestion 5 bookshelf speakers at a Consumer Electronics Show in Chicago. I was reading an issue of Hi Fi Heretic (now defunct), for which my friend Art Dudley wrote, and it included a survey of various inexpensive British integrated amplifiers, some of them made by Creek. I was already familiar with the company, but hadn't listened to affordable British electronics since I'd lived in London, in the early '80s. I got a Creek 4140s2 integrated and was amazed at its neutrality, its lack of etched sound, its natural reproduction of instrumental timbres. I ended up buying it, and used it to review bookshelf loudspeakers.

Register to win one of four sets of Audiofly Headphones (MSRP $30 - $200) we are giving away.

According to the company:

Made with high quality materials and precision manufacturing, the AF33 will play its heart out every time and astonish you with its sound quality. It arrives equipped with a custom voiced 9mm dynamic driver for detailed sound reproduction across the entire sonic spectrum . . .

[This Sweepstakes is now closed.]