Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Now on Newsstands: Stereophile Vol.37 No.7

Joseph Audio’s immaculate Perspective loudspeaker is featured on the July issue’s cover and is treated to an in-depth review from John Atkinson. Revel’s superb Performa F208 tower speaker is also featured this month, along with the Classic reissue of Phase Technology’s best-selling PC-60 bookshelf. Art Dudley tries out the sound of DSD files with Luxman’s DA-06 processor, while radically different, ididosyncratic amplifiers from Miyajima in Japan and LFD in England are put under the aural spotlight.
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Audio-Technica SonicFuel ATH-OX7AMP premium on-ear headphones with built-in amplifier Sweepstakes

Register to win a set of Audio-Technica SonicFuel ATH-OX7AMP premium on-ear headphones with built-in amplifier (MSRP $299.95) we are giving away.

According to the company:

The ATH-OX7AMP on-ear headphones deliver premium sound through large 40 mm drivers and built-in, high-output amplifiers that enhance any type of musical selection, maximizing the detail and clarity of your music like never before. The amplifiers run on a AAA battery (included), however batteries are not necessary for audio output – the headphones operate normally regardless of battery power.

[This Sweepstakes is now closed.]

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Celestion 3 loudspeaker

666celestian3.250.jpg"Why does John Atkinson devote so much of his time to loudspeakers selling for under a [sic] $1000?" wrote a correspondent to The Audiophile Network bulletin board in August, there being a clear implication in this question that "more expensive" always equates with "better" when it comes to loudspeakers. While it is true that the best-sounding, most neutral loudspeakers possessing the most extended low-frequency responses are always expensive, in my experience this most definitely does not mean that there is an automatic correlation between price and performance. I have heard many, many expensive loudspeakers whose higher prices merely buy grosser sets of tonal aberrations. For those on modest budgets, provided they have good turntables or CD players, a good pair of under-$1000 loudspeakers, coupled with good amplification, will always give a more musical sound than twice-the-price speakers driven by indifferent amplification and a compromised front end.

End of discussion.

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Adcom GCD-575 CD player

I once told Larry Archibald it might be worth, say, a 10% loss in sound quality with CD not to have to jump up and turn over the damned record. Sometimes a CD saves you from popping up twice—Mahler's Fifth or Bruckner's Seventh on a single disc instead of three LP sides—or three times—Mozart's Magic Flute on three CDs instead of 6 LP sides. That might be worth a 15% sacrifice.
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Hill Plasmatronics Type 1 loudspeaker

Dr. Alan Hill, president of Plasmatronics Inc., was previously employed by the US Government in laser research. His assignment: To increase the efficiency of lasers so that they could do something more impressive than produce holograms, mend leaky retinal blood vessels, and punch pinholes in steel blocks. Dr. Hill earned his keep, thus advancing laser technology a giant step closer to Star Wars, and then retired from government service to design. . . a loudspeaker?!!!?
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Recording of January 1985: Works for Piano

Performance Recordings is the closest thing to a one-man label. James Boyk is president, A&R director, musical director, recording engineer, production manager, jacket notes author, and the star performer. He is also Artist in Residence and lecturer in music and engineering (specifically sound recording and reproduction) at Cal Tech. And he happens to be one of digital's most ardent detractors, having conducted, and widely publicized, several controlled listening tests that proved to his satisfaction that digital recordings are destructive to musical sound. (I will not question his methodology or conclusions here; suffice it to say that James is as stalwartly pro-analog and anti-digital as it is possible to be.)
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