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This story originally appeared at InnerFidelity.com

Today, I start a journey into the wisdom of pop-culture ... oy vey. In the last few years of economic upheaval and outright disaster, the headphone market has flourished ... blossomed even ... it's the fastest growing product type in consumer audio. Why?

Damned rappers!

Word went out among the small, frightened woodland animals in this part of upstate New York: If you come down with rabies, go to Art Dudley's place and die under his shed. The latest was a raccoon that showed up last Saturday morning with a face full of burdocks and a head full of pain. Before wedging himself beneath the floor of my freestanding shed, the dying animal produced a series of moans and yips that frightened even my dog, a Jack Russell terrier who appears to have been a Somali pirate in a previous life. For the remainder of that sunny afternoon, my family and I holed up inside the house, unenthused about being bitten by an unpredictable animal with a diseased brain and a foamy mouth. (Feel free to imagine your own political joke in this space. God knows I did.)

I began my July column by talking about how quickly things are changing these days in multichannel audio. What I didn't pay enough attention to is that some things can change quickly enough to create inefficiency. Given that most multichannel digital products are based on digital signal processing (DSP), and many are network-enabled, they can be updated with relative ease. Almost every preamplifier-processor or A/V receiver I've reviewed has needed a firmware update during the reviewing process, and such updates are de rigueur for Blu-ray players, as more and more features (!) are added to new releases. And in addition to providing new performance features, firmware updates often also include corrections for operational glitches that have slipped by the designers and their alpha and beta testers, no matter how assiduously they've done their work.

I’ve been playing games with myself, attempting to set limits and impose rules around my furious, nearly uncontrollable, record-buying spree. I told myself that for every dollar I spent on a record I would deposit a dollar into my savings account. (I tried it for a few days, but became bored. Saving is not nearly as much fun as record-shopping.) Then, a few weeks ago, after dropping a few hundred dollars during binges at Other Music and the Princeton Record Exchange, I told myself that I would impose a strict moratorium: No more records for me until after the New Year. With few exceptions, I had already purchased just about every new record I wanted, or so I tried to convince myself. But then the new Thundercat album hit stores and I had to have it. And then it was the new Girls record. How could I live without that?

Here’s another:

Today, Peachtree Audio announced their new flagship asynchronous preamp/DAC, the Grand Pre, the first in a series of “Grand” products (a power amplifier and an all-in-one integrated amplifier will come later) and the first Peachtree component to have its design, final assembly, and final QC all take place in the US. For audiophiles hoping to "buy American," this should come as interesting news.

Girls begin their US tour tonight in Atlanta in support of their sophomore release, Father, Son, Holy Ghost, available now from True Panther.

This story originally appeared at InnerFidelity.com

Long before I became professionally involved with headphones, the Koss Porta Pro was a great little portable headphone. In fact, it was one of the first headphones designed particularly for portable applications. It has remained relatively unchanged to this day ...

... thank goodness. If it ain't broke ...