Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Conrad-Johnson LP125M monoblock power amplifier

For anyone who's been around the audiophile block a few times, Conrad-Johnson Design is a brand that needs no introduction. My first acquaintance with Conrad-Johnson was before I began writing for Stereophile (more than two decades ago—time sure flies fast when you're having fun!). I was in the market for a new preamp, having become convinced that my Dayton Wright SPS Mk.II was the weak link in my system, and had narrowed my choices to two similarly priced products: a solid-state model made by PS Audio (I'm not sure of the model number), and the tubed Conrad-Johnson PV-2ar. They were carried by different dealers, who allowed me to take their preamps home over the same weekend for a direct comparison. I was impressed by both preamps, and was sure that either would represent an improvement over the Dayton Wright, but in the end decided to go for the PV-2ar. I later traded it in on a dealer's demo unit of another Conrad-Johnson preamp, the PV-5. And, as it turned out, one of my first reviews for Stereophile was of Conrad-Johnson's PV-11 preamp.
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Listening #108

I set out on a fishing trip but returned less than an hour later, empty-handed. You asked me, reasonably enough, "What happened?"

"I spent a half-hour digging in the garden for worms, but couldn't find any."

"You could have driven to Mr. Zetterstrum's farm, knocked on his door, asked his permission, and spent a few hours overturning the cowflops in his pasture. I'm sure you would have found one or two worms that way."

"You're right. I guess I didn't want to go fishing that badly."

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The Entry Level #12

My thirst for vinyl can be blind and wild. I know this when I find myself dashing through the midday sun, from the Stereophile office and up Madison Avenue, into Grand Central Station, onto the 6 train to Astor Place, and into my favorite record shop, Other Music, like a man in lust or love or, worse yet, possessed wholly by need. But unlike some of my more dogmatic friends and colleagues, I have no real problem with the Compact Disc. It's just that CDs often lack a certain intangible charm, the ability to make my heart race.
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The Audio Doctor: Prescribing the Best of Everything

On the corner of Sherman and Sanford in the quiet, residential neighborhood of Jersey City known as The Heights, just a block from Leonard Gordon Park and two blocks from Pershing Field, there is a beautiful, old Victorian house. Standing a little taller than the other houses in the neighborhood, 112 Sherman Place, with its turreted rooms, stained glass windows, and distinct green and ochre exterior, has a proud, stately, almost royal, appearance. This is the home of Dave and Paula Lalin, their three children, their three pets, and more high-end audio components than you would ever expect. This is the Audio Doctor.

On a perfect, late autumn morning, Uncle Omar and I made the short drive from Downtown Jersey City to meet with the Lalin family for a little tour and a lot of hi-fi.

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John Marks at the Connecticut Audio Society

Photo: Andy Henriques, CAS

The same weekend John Atkinson was serenading the Los Angeles/Orange County Audio Society, John Marks was showing the flag in Southern New England at the annual Holiday Meeting of the Connecticut Audio Society. JM brought with him to Connecticut not only Sooloos' Control:15 music server, into which he had loaded the playlist for his presentation, but also a Bricasti M1 DAC and Nordost Silver Shadow S/PDIF cable and Bricasti's Brian Zolner to answer questions about his M1 DAC. (JA's full review of the Bricasti will appear in the February 2012 issue of Stereophile, with a Follow-Up by JM in the March issue.)

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Celebrity Headphone Deathmatch

This story originally appeared at InnerFidelity.com

Seems like every other day a new celebrity headphone comes out. And they're not cheap! Three hundred dollars used to buy you near-world class headphones. How come there's so much bling in headphones these days? How come they're so expensive? How the heck did we get here?

And more importantly, do these headphones sound any good?

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CEntrance DACmini CX D/A converter

Sure, Stereophile gets letters to the editor. We also get some colorful responses for our "Manufacturers' Comments" section. (Vince Bruzzese and Roy Hall are literary standouts among their component-making peers.) And, as one of the magazine's Contributing Editors (Audio), I get lots of personal mail from readers seeking my advice. I thought I might share some of these letters with you, and my responses.
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Epos Epic 2 loudspeaker

Roy Hall has his famous Music Hall MMF (Make Money Fast) turntables made for him in the Czech Republic.

Roy has also long been associated with Epos Limited, since a chap named Robin Marshall started the company in 1983. Their first product was the ES-14 loudspeaker, followed by the smaller ES-11. Both were largish, stand-mounted models, and both offered a lively, expressive, unstuffy sound. The speakers have always been fun to listen to, even if they lacked—and still lack—the refinement of some far more expensive speakers.

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