Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

TAD Event in Illinois Thursday

Thursday evening, June 22, 5–9pm, F1 Audio (311 E Dundee Road, Palatine, IL 60074) is holding an event featuring Evolution series loudspeakers and electronics from TAD Labs and Isotek power conditioners. Attendees will also be able to audition rare, out-of-print Mobile Fidelity albums and test pressings from MoFi's UltraDisc One-Step series and take a test drive in the new Porsche 718 Boxster S and Macan Turbo, courtesy of The Porsche Exchange of Highland Park.
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New Music from the Other Adams

Want to go from yang to ying by the simple switch of a silver disc? Try seguing from the two supremely energetic, densely populated chamber symphonies of Pulitzer Prize-winning composer John Adams (b. 1947), which we explored last week, to the far milder and less complicated choral work, Canticles of the Holy Wind (Cantaloupe) from the other Pulitzer Prize in Music-winning Adams, John Luther Adams (b. 1953).
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Masterpieces by Ellington at 45rpm

In 2014, Chad Kassem, proprietor of Acoustic Sounds and Analogue Productions, released a 200-gram QRP vinyl pressing of Masterpieces by Ellington, one of the Duke's least-known but possibly finest and finest-sounding albums, to wild acclaim and (by audiophile standards) brisk sales. Now he's put it out at 45rpm, and while the 33 was a startler, the new version—spread out on two LPs, to accommodate the wider grooves—will leave you breathless.
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Zesto Audio Andros Téssera phono preamplifier

Maybe you've seen the widely circulated New Yorker cartoon: Two guys stand in front of a nicely drawn, tubed audio system, under which are shelves full of LPs. One guy says, "The two things that really drew me to vinyl were the expense and the inconvenience."

If you can't laugh at that, you've lost your sense of humor—even acknowledging that, oddly, convenience is the raison d'etre of some recent phono preamplifiers—including Dan D'Agostino Audio's Momentum and the CH Precision P1, both of which offer multiple, switchable, configurable inputs saved in memory. Today's well-heeled vinyl enthusiast might have two or more tonearms mounted on a single turntable—or even two turntables, each with two arms. Zesto Audio's new Andros Téssera tubed phono preamplifier takes aim at that market segment.

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Audionet Max monoblock power amplifier

Three years ago, when I first heard Audionet's Max monoblock power amplifiers, I described their pairing with YG Acoustics Hailey loudspeakers "an absolute winner" and "definitely one of the finer systems at T.H.E. Show Newport Beach." At subsequent audio shows, no fewer than four other Stereophile Contributing Editors enthused about different pairings of YG loudspeakers with Audionet amplification. Herb Reichert, at the 2014 Rocky Mountain Audio Fest: "Everything had a kind of just right quality. Totally impressive!" Sasha Matson, at RMAF 2015: "Marvelous" on vocals, "rockin' and tight" on bass and drums. John Atkinson, at T.H.E. Show 2016: "Duke Ellington's classic Jazz Party in Stereo . . . was reproduced with terrific dynamics." Larry Greenhill at the 2017 Consumer Electronics Show on the sound in the YG Acoustics room, which included Audionet's Max monoblocks: "the sound on playback of Jake Shimabukuro's ukulele wizardry came closer to matching his live performance than in most rooms."
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July July July

Zesto's Téssara tube phono preamplifier takes pride of place on the July Stereophile's cover, to accompany Mikey Fremer's review inside. Add to that Jason Victor Serinus on the expensive Audionet Max monoblocks from Germany, John Atkinson on an affordable DAC from Arcam, Larry Greenhill on the awesome No.536 monoblock from the revitalized Mark Levinson company, Art Dudley on the Lamm L.21 preamplifier and the Serbian Soulines Kubrick DCX turntable, and Herb Reichert on turntables from Analogueworks and Palmer, and you'll see why we think this issue is rad! (JA's daughter says "Don't say that, Daddy.")
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Recording of July 2017: TajMo

Taj Mahal & Keb' Mo': TajMo
Concord CRE00432 (LP). 2017. Taj Mahal, Keb' Mo', prods.; Zach Allen, John Caldwell, Alex Jarvis, Jesse Nichols, Casey Wasner, engs.; Ross Hogarth, mix; Richard Dodd, mastering; Bernie Grundman, vinyl mastering. AAA? TT: 45:20
Performance ****
Sonics ****

The blues, that wonderful basis of so much American popular music, has for many listeners grown a bit stale and old-fashioned. It's not much of a draw outside bar bands, and other than Alligator Records, most of the biggest blues labels have folded or gone dormant. Losing many of the music's first- and second-generation practitioners hasn't helped.

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