Apple AirPods Pro 3: First Impressions
Hegel H150 Integrated Amplifier Officially Announced
Sonus faber Announces Amati Supreme Speaker
FiiO M27 Headphone DAC Amplifier Released
Audio Advice Acquires The Sound Room
Sponsored: Pulsar 121
CH Precision and Audiovector with TechDAS at High End Munich 2025
KLH Model 7 Loudspeaker Debuts at High End Munich 2025
Sponsored: Symphonia
Where Measurements and Performance Meet featuring Andrew Jones
Sponsored: Symphonia Colors

LATEST ADDITIONS

Listening #176: MusiKraft Cartridge Bodies & EMIA Phono Transformer

How can you tell a classic product from the hi-fi hoi polloi? One sure sign is when third-party developers spring up around the thing, offering parts and service intended to maximize its performance—or just to keep it on the road. Thus regarded, a few true classics emerge: Quad's ESL and ESL-63 loudspeakers. Altec's 802 and 806 compression drivers. The Linn LP12 and Garrard 301/401 turntables. The Rega RB-300 tonearm and its direct descendants.
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Vinyl Apocalypse: the LP Shelving Dilemma

The three most traumatic events anyone can experience in life? The death of a loved one? A surprise audit by the IRS? Your entire LP collection purloined by a disgruntled ex-lover?

And, oh yes—moving.

As 2016 turned to 2017, my wife and I were forced to move from an apartment we wrongly assumed we'd never ever have to leave, which in New York City means a lot. Perhaps we were just a tad naïve?

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Industry Profile: Kate Koeppel, Record Dividers

Last month, our sister site AnalogPlanet.com published a brief post about one of Koeppel Design's recent releases: the LP Block ($76; engraved or stenciled, above). The majority of the comments on the blog criticized the LP Block and few of Kate Koeppel's other products purely for being too expensive. When I read these comments, I felt that the value of her products weren't being appropriately considered. I believe it's because there isn't currently a huge market for record dividers, record stands, and casual record-carrying totes. Consumers have little to compare and therefore lack perspective.
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Brinkmann Audio Nyquist D/A processor

What? Johnny-come-lately turntable manufacturer Brinkmann Audio now makes a DAC? Are they desperate? What sampling rates does it support—162/3, 331/3, 45, and 78? I guess the vinyl resurgence is over! Why else would Brinkmann make a DAC?

If that's what you're thinking, consider that Helmut Brinkmann began designing, manufacturing, and marketing electronics well before he made the first of the turntables for which his company is best known in the US.

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Bonus Recording of August 2017: Sgt. Pepper's Lonely Hearts Club Band: Anniversary Edition

The Beatles: Sgt. Pepper's Lonely Hearts Club Band: Anniversary Edition
Parlophone/EMI PCS 7027 0602557455328 (4 CDs, 1 BD, 1 DVD). 1967/1987/2009/2017. Giles Martin, prod.; Sam Okell, mix; Jeff Jones, exec. prod.; Jonathan Clyde, Guy Hayden, project prods.; Matt Mysko, Greg McAllister, mix assts.; Miles Showell, Sean Magee, mastering; Matthew Cocker, transfer eng.; James Clarke, audio restoration. ADD? TT: 3:23:11 (CDs only)
Performance *****
Sonics *****

Even VIP visitors to Abbey Road studios are allowed to only peer down a dimly lit hallway to the vault where the Beatles tapes, arguably the UK's most valuable crown jewels, are meticulously stored. Given the value of the band's recorded legacy, it was only a matter of time before even Macca, who over the years has made cryptic and patently false statements about scraping the bottom of the barrel, would get behind new stereo mixes and the long-awaited official release of alternates and outtakes. While the three double-CD volumes of Anthology contained some of this material—and bootlegs had the rest—the release of Sgt. Pepper's Lonely Hearts Club Band: Anniversary Edition is a welcome and wonderful conglomeration of music and information, old and new, about this landmark recording.

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Fischer's New Mahler Symphony 3

The latest installment in Ivan Fischer's near-complete Mahler cycle for Channel Classics, the Symphony No.3 (CCS SA 38817), renders the myriad beauties of this most wondrous of symphonies into an unforgettable experience. No matter what layer you audition on the two-disc hybrid SACD set, or whichever resolution DSD files you download—I listened in DSD128—you will discover the Budapest Festival Orchestra, Cantemus Children's Choir, Chor des Bayerischen Rundfunks, and alto Gerhild Romberger portrayed in stunning sound, with pounding percussion, cutting brass, tinkly triangles, and celestial children's voices laid out before you in a seamless soundstage.
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Bryston BCD-3 CD player

The English saying "putting the cat among the pigeons" has an obvious meaning in a general sense, but when applied to commerce it conveys something more specific: bringing to market a product that will make mincemeat of the competition, presumed complacent by comparison.

The phrase winked at me from the margins of an e-mail I received last year from Gary Dayton, Bryston Audio's VP of sales and marketing, whom I know from my visits to the Montreal Audio Fest. Referring to my ongoing series of reviews of ca-$10,000 CD players—the best of which one might consider for the title The Last CD Player You'll Ever Buy—Dayton suggested I have a listen to his company's new BCD-3, which retails for the comparatively low price of $3495. I accepted almost at once, and set about adjusting an English saying for a Canadian product: With the BCD-3, has Bryston succeeded in putting the wolverine among the loons?

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Emotiva XPA Gen3 two-channel power amplifier

Have I told you about my objectivist friend—the left-brain audiophile who puts a lot of trust in measurements? He has a high natural intelligence and is an extremely experienced listener, but once he knows a component doesn't measure well, he can never again experience it impartially.

I don't want to embarrass my friend, so in this story I will call him O., for Mr. Objectivity.

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Audeze iSine 20 Planar Magnetic In-Ear Earphone

This story originally appeared at InnerFidelity.com

When first I saw the Audeze iSine models I wondered to myself, "What the heck are these for?" and, "Who will want these?" I'd never heard of an open acoustic in-ear before...heck, I'd not even thought of the possibility. Why in the world was Audeze even going down this road? I spent some time on the phone with Sankar Thiagasamudram, founder and CEO of Audeze, to gain some understanding.

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