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On his first solo record since 2011's Modern Art, Sweet again returns to what he knows best, short, sweet, guitar-pop originals.

Kentucky manufacturer Thiel has acquired a reputation for the coherence of sound presented by its range of distinctive, sloping-baffle, floor-standing loudspeakers. Designer Jim Thiel gives a high priority to linearity of phase response; as a result, he chooses to use phase-linear, first-order crossovers in his designs, the target response being the combination of electrical and mechanical filtering. As the out-of-band rejection is then only 6dB/octave, it places demands on his chosen drive-units to be well-behaved, not only in their passbands, but also outside of them. In effect, the loudspeaker has to be designed as a whole system, the interaction between the drive-units and crossover being considerable.

What was to have been the first Southern California-based T.H.E. Show organized without input from its late co-founder, Richard Beers, who died in 2016, has been postponed until 2018. The inaugural T.H.E. Show Anaheim, as the former T.H.E. Show Newport Beach is now called, was to have taken place September 22–24 at the Hilton Anaheim. The reasons for the late postponement are spelled out in a two-page letter to exhibitors, which was released on September 6 by Beers' close friend and long-time associate, Show President Maurice R. Jung.

Last May, Jack Oclee-Brown, KEF's Head of Acoustics, visited John Atkinson's listening room to drop off and set up the KEF Reference 5 loudspeakers ($19,000/pair). (JA's review appears in the October Stereophile, which will hit newsstands and mailboxes later this week.) In this video, they discuss Jack's origins and the challenges of speaker design, as well as the genesis of the Reference 5.

The Genesis 500 ($650) is the baby brother of Monster Cable's top-of-the-line Genesis 1000 cartridge. It is almost identical in physical appearance, differing only in its use of green body trim (the 1000 sports red pinstripes). All of the functional differences appear to be in the stylus and cantilever. The cantilever of the 500 is a hollow sapphire rod tightly attached to an inner aluminum tube (the 1000 has a diamond-coated boron tube cantilever). Its stylus is a 6µm x 35µm line-contact (3µm x 60µm for the 1000). Monster claims a stylus life in excess of 600 hours for the Genesis 500, more than 1000 hours for its higher-priced sibling.

Few rock bands have ever inspired such a sharp cleavage in fan opinion.