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Rega introduced its first low-output moving-coil cartridge, the Apheta, in 2006, but it got mixed reviews, due to a high-frequency peak at the top of the audioband. Rega showed the Apheta 2 ($1895) at CES, mounted on the vestigial RP10 turntable. The Apheta 2 has benefited from some serious production engineering and has a lower moving mass, the latter moving the treble peak higher, to 18kHz or so.

As I was leaving the Venetian after closing up the Stereophile room on the last day of CES, I bumped into AudioQuest's Steve Silberman in the elevator. "I've got one left, take it," he said and handed me the little USB thingie in my photograph. "It's going to cost $49 and will be available in the spring."

Ayre has been getting major exposure for their work with Pono, but have also been working on their own breakthrough device which grew out of that project, the Codex. Due to hit retailers in March for $1,500, inside will be an ESS Sabre ES9018 DAC chip that will handle PCM up to 32/384 and DSD128.

In the back room, O'Hanlon was running a demo with the Luxman D-06a playing his show mix CD. The Luxman retails for $9,900 and employs a pair of BurrBrown PCM1792A chips in a dual-mono setup. The USB input on back accepts PCM up to 32/384 and DSD to 5.6MHz, while SPDIF and optical accepts up to 24/192 PCM. Both balanced and unbalanced analog audio and SPDIF and optical digital out on the back.

I was mightily impressed by the Cambridge Audio 851D Preamp/DAC when it was in my system last year, especially at its price point of $1,695! So seeing a new flagship streaming/preamp/DAC product piqued my interest.

A Cambridge rep explained that the new 851N is essentially a CXN and 851D put together, which is surprising since the price only jumps one C-note to $1,799 when it becomes available in March. See details on the 851D in my review and check out the CXN in the post below.

Closing three days of Hi-Res presentations at CES 2015 were (from left–right) Maureen Droney, Senior Executive Director of The Recording Academy's Producers and Engineers Wing and a recording engineer who has worked with Santana and John Hiatt; Marc Finer, whose Digital Entertainment Group (DEG) consults with Sony and other entities as he attempts to align messaging on the hi-res front; and Robert Heiblim, Vice Chair of the Consumer Electronics Association's (CEA) Audio Division.

"The High End needs products that can demonstrate to customers why they should spend more money for the high-end," Dave Nauber, President of Classé, told me. "Thus we've introduced the Sigma Series, a new range of products with prices half those of our other products."