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LATEST ADDITIONS

NYAS 2016: Ken's Saturday on Central Park South

Seeing as it's smack dab in the middle of the New York Marathon route, finding a way into The Park Lane Hotel presented its share of challenges, even on Saturday: though the race wouldn't begin until Sunday, gangs of scantily clad runners of all shapes and sizes dominated the sidewalks of Central Park South, forcing pedestrians to hit the concrete and scream, Ratso Rizzo style, "Hey! I'm walkin' here!"
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Perspective

Photo of Art Dudley, Robin Wyatt, and Michael Lavorgna: John Atkinson. All other photos: Jana Dagdagan.

NYAS 2015. Rye Brook, NY.—Then, a lone capsule filled with liquid anxiety, outfitted in wobbly heels and a blanket of sweat aimlessly wandered through the halls of hotel hi-fi. She had recently interviewed for her dream job at her dream publication, Stereophile, but had not heard back yet. She desperately hoped to meet Sirs Art Dudley and Michael Lavorgna for the first time, and luckily succeeded in doing so at the 'Zen and the Art of Audio Reviewing' seminar.

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Art's Day at the New York Audio Show

My Friday-morning train from upstate New York arrived in Manhattan ahead of schedule—how often does that happen?—giving me the luxury of walking, rather than taking a subway or a cab, to the Park Lane Hotel, located on West 59th Street: this year's venue for the New York Audio Show. By the time I reached the Park Lane Hotel's posh-minus entrance, I felt as though I'd entered a whole different world—but this time I wasn't sneering. Indeed, I was wondering: what would it take for all these people of means to take interest in our little world of handmade electronics and rare phono cartridges and loudspeakers that were surely meant to be enjoyed in the largest and grandest of rooms? For people who are used to the best of everything, is high-end audio really that big a leap?
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For the Election: Simple Gifts of American Music

Simple Gifts, a new live recording from the Chamber Music Society of Lincoln Center (CMS), is filled with eminently accessible, decidedly optimistic American music written between 1854 and 1993. Its frequently dance-worthy melodic beauty makes for a most lovely 77 minutes of pure pleasure, and is conducive to both focused listening and background enjoyment. Available as both a 24/48 download from HDTracks (which I auditioned) and other sites, as well as in CD form, the recording reflects the positive, "new world" outlook that inspired many of its compositions.
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JL Audio Fathom f212v2 powered subwoofer & CR-1 crossover

It was all so familiar. In "Music in the Round" in the January 2016 issue, Kal Rubinson praised JL Audio's latest subwoofer, the Fathom f113v2. He raved about its amplifier's higher power over the original f113, its beefier 13" woofer, its improved, 18-band Digital Automatic Room Optimization (DARO), and its significantly improved deep-bass response in-room.

It was familiar because the same thing had happened when Kal reviewed the original Fathom f113 in his May 2007 column. As he would again nine years later, he'd extolled the sub's high power, small size, built-in single-band Automatic Room Optimization (ARO) software, and "remarkably powerful and clean" deep bass. Those were also my reactions to the Fathom f113.

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