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The text, from Gary Bruestle, a speaker-positioning wizard at Definitive Audio in Seattle, left my mouth watering: "Have you heard the Apex version of a Rossini or Vivaldi yet? It's stunningly good. Addictive, even. ... I usually have a hard time relaxing and listening to music in the showroom, but the Rossini Apex DAC had me in its thrall for a few hours yesterday."

If I hear it, is it real?

If your ears see,
And your eyes hear,
Not a doubt you'll cherish—How naturally the rain drips
From the eyes!—Bujutsu Sosho

The more audio gear I review, the more fascinated I become by the fact that as I listen to recorded music, I can close my eyes and see musicians on the stage at Carnegie Hall, or djembe drummers in a desert by a tent, or a bass note penetrating the Milky Way. What a gift of consciousness. And what a great hobby it is that focuses my attentions in this manner.

Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable.

Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared. "Vol.45 No.6" indicates our June 2022 issue, for example. "WWW" means the review is also posted online.

Howard Jones: Dialogue
D-Tox Records (Multiple formats; auditioned as 16/44.1 stream). 2022. Howard Jones, prod.; Robbie Bronnimann, eng.
Performance ****½
Sonics ****½

Howard Jones has always come across as an endearing blend of mad scientist and hopeless romantic. Since his 1983 debut single, "New Song," he has blended obsessive technical detail with extreme emotionality. His newest album, Dialogue, is the latest example of this approach, in which intricate structures of synthesized sound grow into musical mountains supporting impassioned lyrics.

I first heard about the project in an email, one of the dozens I receive every day and barely glance at. It said that the editor of a German hi-fi publication was crossing the ocean to talk about hi-fi audio to students and their parents at a junior/senior high school in Westchester County, New York, just 45 minutes or so by car from my Manhattan apartment. Interesting. And odd. I moved on to the next email.

Prism IV: Bach, Beethoven, Mendelssohn, Mahler: Symphony No.4, Žibuoklė Martinaitytė Ex Tenebris Lux and Consolations: Music by Bach, Chopin, Dushkin, Handel, Kreisler, Liszt, Massenet, and others.

Steve Cardenas/Ben Allison/Ted Nash: Healing Power: The Music of Carla Bley, Matthew Shipp Trio: World Construct and Tyshawn Sorey Trio: Mesmerism.